Une pure merveille !
Un roman d'une grande beauté, drôle, fin, extrêmement lumineux sur des sujets difficiles : la perte de
l'être aimé, la dureté de la vie et la tristesse qu'on barricade parfois... Elise franco-japonaise,
orpheline de sa maman veut poser LA question à son père et elle en trouvera le courage au fil des pages,
grâce au retour de sa grand-mère du japon, de sa rencontre avec son extravagante amie Stella..
Ensemble il ne diront plus Sayonara mais Mata Ne !
This Second Norton Critical Edition of one of Henry James's most important novels is that of the New York Edition (1908). In a sense, there are two distinctly...
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Résumé
This Second Norton Critical Edition of one of Henry James's most important novels is that of the New York Edition (1908). In a sense, there are two distinctly separate Portraits-the 1880-81 first edition and the New York edition, which James extensively revised. The editor has meticulously prepared a list of textual variants, enabling comparative reading of the novel. Nina Baym, F. O. Matthiessen, and Anthony J. Mazzella provide differing perspectives on James's revision process. "Henry James and the Novel" culls autobiographical excerpts from James's other writings-his Notebooks; the intentionally autobiographical A Small Boy and Others and Notes of a Son and Brother; and the travel books Italy Revised, A Roman Holiday, and Roman Rides. "Contemporary Reviews and Criticism" provides both chronological and critical perspective on The Portrait of a Lady. Four reviews from 1882 outline the novel's initial critical reception. Seven important essays from the period 1954-91 provide varied critical responses by Dorothy Van Ghent, William H. Gass, Laurence B. Holland, Charles Feidelson, Louis Auchincloss, William Veeder, and Millicent Bell. "Biographical Aids" includes judiciously chosen secondary works on James from the wealth of material published yearly.