The diary of a nobody

Edition en anglais

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Weedon Grossmith et George Grossmith - The diary of a nobody.
The Diary of a Nobody (1892) created a cultural icon, an English archetype. Anxious, accident-prone, occasionally waspish, Charles Pooter has come to... Lire la suite
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Résumé

The Diary of a Nobody (1892) created a cultural icon, an English archetype. Anxious, accident-prone, occasionally waspish, Charles Pooter has come to epitomize English suburban life. His diary chronicles encounters with difficult tradesmen, the delights of home improvements, small parties, minor embarrassments, and problems with his troublesome son. The suburban world he inhabits is hilariously and painfully familiar in its small-mindedness and its essential decency. Both celebration and critique, The Diary of a Nobody has often been imitated, but never bettered. This edition features Weedon Grossmith's original illustrations and is complemented by an introduction that discusses the book's social background and the genre of suburban fiction.

Caractéristiques

  • Date de parution
    01/01/1998
  • Editeur
  • ISBN
    0-19-283327-8
  • EAN
    9780192833273
  • Présentation
    Broché
  • Nb. de pages
    143 pages
  • Poids
    0.115 Kg
  • Dimensions
    13,0 cm × 19,5 cm × 1,0 cm

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À propos des auteurs

GEORGE GROSSMITH (1847-1912), worked as a police-court reporter before embarking on a career as a singer and comedian in 1870. From 1877 to 1889 he was a prominent member of the D'Oyly Carte Company and played many leading roles in Gilbert and Sullivan operas. Subsequently, he toured Great Britain and the United States as a singer and entertainer until 1901. Apart from works of reminiscence, The Diary of a Nobody (1892) is his only book-length publication. WEEDON GROSSMITH (1854-1919), George's brother, trained as an artist at the West London School of Art and the Royal Academy. He was not financially successful as a painter, however, and from 1885 also pursued a career on the stage. He published one novel, A Woman with a History (1896), and a number of plays, including The Night of the Part), (1901). Weedon became manager of Terry's Theatre, London, and continued to act there and elsewhere until 1917.

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