Il Trattato di Danza di Carlo Blasis 1820-1830

Edition bilingue anglais-italien

Richard Bates

(Traducteur)

Note moyenne 
Flavia Pappacena - Il Trattato di Danza di Carlo Blasis 1820-1830.
Famous for his virtuoso technique and his impeccable style, Carlo Blasis acquired great fame as maestro and director of the Imperial Academy of Dancing... Lire la suite
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Résumé

Famous for his virtuoso technique and his impeccable style, Carlo Blasis acquired great fame as maestro and director of the Imperial Academy of Dancing at La Scala and as the author of theoretical and historical works on the dance, such as his Traité élémentaire théorique et pratique de l'Art de la Danse, which is here quoted in the English (1828) and Italian (1830) editions. In this study Flavia Pappacena reconstructs the general, theoretical and aesthetic lines that made ip the conceptual backbone of Blasis' work, seeking its origins both in the French dance tradition and in eighteenth-century Neoclassicism, and in the changes of taste and overlapping of fashion that characterised the transition from the ancient regimes to the revolutionary decade and the Napoleonic period.

Caractéristiques

  • Date de parution
    01/01/2005
  • Editeur
  • ISBN
    88-7096-422-1
  • EAN
    9788870964226
  • Présentation
    Broché
  • Nb. de pages
    393 pages
  • Poids
    0.91 Kg
  • Dimensions
    17,0 cm × 24,0 cm × 2,8 cm

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À propos de l'auteur

Biographie de Flavia Pappacena

Flavia Pappacena graduated in the Humanities, taking a further advanced diplola at the Academia Nazionale di Danza, where she has lectured in Dance Theory since 1974. Since 1984 she has edited the dance section in the PBA (Piccola Biblioteca delle Arti) series published by Gremese, and since 1993, the journal of dance research "Choregraphic". She has written technical and theoretical studies on classical dance (Tencnica della danza classica : La coordinazione, 1985. L'impostazione, 1986, Il Ritmo, 1988: Teoria della danza classica, vol. 1, 2001; vol. 2, 2002) and edited important texts on the Italian school (including Complete Manual of Classical Dance by G. Cecchettri, 1995-1997). She has also published historical and theoretical studies on XIX-century dance, including Ricostruzione della linea stilistica di Carlo Blasis (2003) and a previously unpublished reconstruction of the gran ballo Excelsior (1998).

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