Une pure merveille !
Un roman d'une grande beauté, drôle, fin, extrêmement lumineux sur des sujets difficiles : la perte de
l'être aimé, la dureté de la vie et la tristesse qu'on barricade parfois... Elise franco-japonaise,
orpheline de sa maman veut poser LA question à son père et elle en trouvera le courage au fil des pages,
grâce au retour de sa grand-mère du japon, de sa rencontre avec son extravagante amie Stella..
Ensemble il ne diront plus Sayonara mais Mata Ne !
Philip Ridley's groundbreaking first three plays - The Pitchfork Disney, The Fastest Clock in the Universe and Ghost from a Perfect Place - heralded the...
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Philip Ridley's groundbreaking first three plays - The Pitchfork Disney, The Fastest Clock in the Universe and Ghost from a Perfect Place - heralded the arrival of a unique and disturbing voice in the world of contemporary Brama. `Philip Ridley is a singular writer, a prolific polymath, probably a genius, and the creator of some of the most peculiar, grotesque and compelling British plays (and films) of the last several years.' Time Out. `Ridley is delving into a sulphurous imagination for sonic of the most potent and indelible images you're likely to find this side of sleep.' Scotland on Sunday. `Philip Ridley's work is compelling, original and about as nasty as you can get ... it should be burnt by the public executioner.' Daily Telegraph. `Philip Ridley uses theatre as a vehicle for the imagination. His rooms are claustrophobic crucibles, in which the modern age disgorges its most hideous imagery.' The Full Room by Dominic Dromgoole