Composing under the skin - The Music-making Body at the Composer's Desk

Fingers slipping over guitar strings, the tap of a bow against the body of a cello, a pianist humming along to the music : contemporary composers often work with parasitic, non-conventional sounds such as these. Are they to be perceived as musical elements or do they shift attention to the physical effort of music-making, contact between a body and an instrument ? Composer Paul Craenen explores ways in which the musician's body is revealed in musical performance.
He leads us from Cage, Lachenmann, Kagel and their contemporaries to a discussion of how today's generation of young composers is writing a body paradigm into composition itself. Micro-temporal physical gestures and instrumental timbre provide the key to unveiling the physical presence of both a musician and a "composing body". The author's concept of "intercorporeality", along with the idea of an alternating linear and non-linear relationship of the composing body to time, casts new light on the relationship between musicians, composers, and music consumers.