The Blazing World and Other Writings - Grand Format

Edition en anglais

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Flamboyant, theatrical and ambitious, Margaret Cavendish was one of the seventeenth century's most striking figures - a woman who ventured into the male... Lire la suite
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Résumé

Flamboyant, theatrical and ambitious, Margaret Cavendish was one of the seventeenth century's most striking figures - a woman who ventured into the male spheres of politics, science, philosophy and literature. The Blazing World is a highly original work : part Utopian fiction, part feminist text, it tells of a Lady shipwrecked on the Blazing World where she is made Empress and uses her power to ensure that it is free of war, religious division and unfair sexual discrimination.
This volume also includes The Contract, a romance in which love and law work harmoniously together, and Assaulted and Pursued Chastity, which explores the power and freedom a woman can achieve in the disguise of a man. In her introduction, Kate Lilley places these writings in the context of Cavendish's extraordinary life and discusses the roles of women in these texts. This updated edition includes a chronology, revised notes and a new bibliography.

Caractéristiques

  • Date de parution
    01/01/2004
  • Editeur
  • Collection
  • ISBN
    0-14-043372-4
  • EAN
    9780140433722
  • Format
    Grand Format
  • Présentation
    Broché
  • Nb. de pages
    230 pages
  • Poids
    0.202 Kg
  • Dimensions
    12,9 cm × 19,8 cm × 1,6 cm

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À propos de l'auteur

Biographie de Margaret Cavendish

Margaret Lucas Cavendish, Duchess of Newcastle (1623-73), was the youngest and minimally educated child of a wealthy Essex family. In 1643, the year after the outbreak of the English Civil War, she became a Maid of Honour to Queen Henrietta Maria, travelling with her into Parisian exile in 1644. There, in 1645, she married the widowed William Cavendish, Marquis (later Duke) of Newcastle (1593-1676), who had been commander of Charles I's forces in the north, and a well-known patron of arts and letters.
The Newcastles lived lavishly on credit in Antwerp from 1648 until the Restoration allowed their return to England in 1660. Between 1653 and 1668 Margaret Cavendish published a dozen substantial books including poetry, moral tales, speculative fiction, romance, scientific treatises, natural philosophy, familiar letters, closet drama, orations, an autobiographical memoir and a biography of her husband.
The sheer quantity and variety of Cavendish's published writing was unprecedented amongst earlier English women. These publications, and her cultivation of personal singularity, made her an infamous figure both in her own lifetime and since, subverting patriarchal codes of femininity while championing the legitimacy of monarchy. She appears in theatrical cameos in the writings of contemporaries like Pepys and Dorothy Osborne, and in subsequent accounts of maverick women by such writers as Charles Lamb and Virginia Woolf.
Through her generically experimental and diverse writings, Margaret Cavendish emerges as an ironically self-designated spectacle, and as the self-proclaimed producer of hybrid creations and inimitable discourses, which are finally beginning to receive the attention that her life has rarely lacked. Kate Lilley (BA Hons., Sydney ; Ph.D., London) began work on early modern women's writing as Julia Mann Junior Research Fellow at St Hilda's College, Oxford (1986-9).
Her articles on seventeenth-century women's writing appear in Women, Texts and Histories 1575-1760 (1992) and Women/Writing/History 1640-1740 (1992). She is now a Lecturer in English at the University of Sydney. Her poetry is represented in The Penguin Book of Modem Australian Poetry and The Penguin Book of Australian Women Poets.

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