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In her animated film Anna & the Jester in Window of Opportunity (2019), Julie Béna relates the curious encounter between a series of characters both existing and imagined. A critique of the concept of transparency current in architecture and society, this exhibition has been conceived as a series of real and virtual layers, which create a space of opacity and indeterminacy. This publication explores the principles and ideas that underpin these works through a conversation between Julie Béna and Laura Herman, together with an essay by Irene Sunwoo, an architectural historian and exhibition curator.