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Traces Toward Light
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Disponible dans votre compte client Decitre ou Furet du Nord dès validation de votre commande. Le format ePub est :
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- FormatePub
- ISBN8223807322
- EAN9798223807322
- Date de parution19/01/2026
- Protection num.pas de protection
- Infos supplémentairesepub
- ÉditeurDraft2Digital
Résumé
"Traces Toward Light: A Korean Memoir of Memory, Faith, and the Longing for Origin" is a profound and lyrical spiritual autobiography by Mukmyeong (Silent Light), the pen name of Kwon Jin-oh. More than a simple memoir, it is a contemplative journey that weaves together personal history, philosophical inquiry, and a radical reimagining of faith, tracing the author's path from the specific landscapes of Korea to a universal search for belonging and divine order.
The book opens with a prologue that frames the entire work not as a linear report of events, but as a map of memory and contemplation. The author describes writing as casting a stone into the still waters of the past, creating ripples where faces, voices, and fragments of faith resurface. This sets the tone for a narrative where time is fluid-a resonant space where past and present engage in continuous dialogue, and where everyday experiences crystallize into lasting philosophy.
The narrative is divided into four thematically rich parts:Part 1: The Seaside and the Bench explores consciousness and memory through poignant vignettes. In "A Seat Facing the Sea, " a bus stop bench in Seoul triggers a vivid memory of a donated memorial bench on Seattle's Carkeek Beach. This experience becomes a meditation on how consciousness can transcend time and matter, connecting the author to the lives of a long-departed couple and framing all humans as "quantum observers" briefly passing through each other's existences.
"The Purification of Memory" reframes the fading of memory not as loss, but as a necessary emptying that allows one to return to a more fundamental state of being, where faith exists before theology and life is lived sincerely in each moment. Part 2: A Time to Return delves into themes of loss, absence, and forward motion. "A Person with No Time to Return" is a striking confession of having no idealized past to long for.
This lack becomes not a poverty, but a defining characteristic that compels a life oriented solely toward the future-a lonely yet clear-eyed pilgrimage toward a "home" that lies ahead, not behind. "The Autumn of the Stella" is a warmly nostalgic yet bittersweet recollection of youthful recklessness and enduring friendship, centered on a forbidden drive in a friend's new car in 1983. The episode captures the beauty of fragile, illegal moments and examines how such shared memories bind people together across decades.....
The book opens with a prologue that frames the entire work not as a linear report of events, but as a map of memory and contemplation. The author describes writing as casting a stone into the still waters of the past, creating ripples where faces, voices, and fragments of faith resurface. This sets the tone for a narrative where time is fluid-a resonant space where past and present engage in continuous dialogue, and where everyday experiences crystallize into lasting philosophy.
The narrative is divided into four thematically rich parts:Part 1: The Seaside and the Bench explores consciousness and memory through poignant vignettes. In "A Seat Facing the Sea, " a bus stop bench in Seoul triggers a vivid memory of a donated memorial bench on Seattle's Carkeek Beach. This experience becomes a meditation on how consciousness can transcend time and matter, connecting the author to the lives of a long-departed couple and framing all humans as "quantum observers" briefly passing through each other's existences.
"The Purification of Memory" reframes the fading of memory not as loss, but as a necessary emptying that allows one to return to a more fundamental state of being, where faith exists before theology and life is lived sincerely in each moment. Part 2: A Time to Return delves into themes of loss, absence, and forward motion. "A Person with No Time to Return" is a striking confession of having no idealized past to long for.
This lack becomes not a poverty, but a defining characteristic that compels a life oriented solely toward the future-a lonely yet clear-eyed pilgrimage toward a "home" that lies ahead, not behind. "The Autumn of the Stella" is a warmly nostalgic yet bittersweet recollection of youthful recklessness and enduring friendship, centered on a forbidden drive in a friend's new car in 1983. The episode captures the beauty of fragile, illegal moments and examines how such shared memories bind people together across decades.....























