Nouveauté
The White Plane. Shadows Of The Canvas, #1
Par :Formats :
Disponible dans votre compte client Decitre ou Furet du Nord dès validation de votre commande. Le format ePub est :
- Compatible avec une lecture sur My Vivlio (smartphone, tablette, ordinateur)
- Compatible avec une lecture sur liseuses Vivlio
- Pour les liseuses autres que Vivlio, vous devez utiliser le logiciel Adobe Digital Edition. Non compatible avec la lecture sur les liseuses Kindle, Remarkable et Sony
, qui est-ce ?Notre partenaire de plateforme de lecture numérique où vous retrouverez l'ensemble de vos ebooks gratuitement
Pour en savoir plus sur nos ebooks, consultez notre aide en ligne ici
- FormatePub
- ISBN8224713554
- EAN9798224713554
- Date de parution22/07/2026
- Protection num.pas de protection
- Infos supplémentairesepub
- ÉditeurDraft2Digital
Résumé
A missing artist. A flawless white canvas. A powerful man determined to own the meaning of both. Painter Sarah has already learned what the art world can take from an artist. So when celebrated dealer Mark Veldhuizen offers her a contract that disguises control as protection, she refuses. The next morning, Sarah is gone. She leaves behind no explanation - only an immense white painting and a written directive naming her closest friend, gallery curator Emily, as its temporary custodian.
Veldhuizen immediately turns Sarah's disappearance into a spectacle. He announces an auction of her early work, establishes a legacy fund in her name, and presents her silence as the final act of a tragic genius. But Emily knows Sarah's absence is not his story to sell. Following a trail of coercive contracts, shell collectors, manipulated valuations, and forged provenance, Emily uncovers a criminal enterprise built on controlling not only art, but the history that determines its value.
Every discovery brings her closer to Sarah - and places another witness in danger. To stop the auction, Emily must expose the system that made her career possible without committing its central sin:deciding what the artist should want.
Veldhuizen immediately turns Sarah's disappearance into a spectacle. He announces an auction of her early work, establishes a legacy fund in her name, and presents her silence as the final act of a tragic genius. But Emily knows Sarah's absence is not his story to sell. Following a trail of coercive contracts, shell collectors, manipulated valuations, and forged provenance, Emily uncovers a criminal enterprise built on controlling not only art, but the history that determines its value.
Every discovery brings her closer to Sarah - and places another witness in danger. To stop the auction, Emily must expose the system that made her career possible without committing its central sin:deciding what the artist should want.






















