Siting the Other - Re-visions of Marginality in Australian and English-Canadian Drama

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Marc Maufort et Franca Bellarsi - Siting the Other - Re-visions of Marginality in Australian and English-Canadian Drama.
The emergence of contemporary Australian and English-Canadian multicultural drama undoubtedly constitutes a fascinating development in the history of... Lire la suite
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Résumé

The emergence of contemporary Australian and English-Canadian multicultural drama undoubtedly constitutes a fascinating development in the history of international literatures written in English. These postcolonial plays offer ideal vantage points from which to observe the struggle of two comparable Commonwealth countries to accommodate the pluralism of their social fabric. As the prominent theatre scholars of this collection cogently argue, the articulation of otherness forms a central concern in the drama of these two countries.
The postcolonial playwrights studied in this book interpret marginality as an expression of resistance against the legacy of Empire, often through the weapon of subversive mimicry. The organising spatial metaphor of the book suggests new readings of the "other" as an evolving site of contestation. This volume articulates a new form of comparative poetics, in which dramatic texts are used as reflecting mirrors, as privileged tools to explore the similarity and otherness that Australia and Canada share.

Caractéristiques

  • Date de parution
    27/09/2012
  • Editeur
  • Collection
  • ISBN
    978-90-5201-934-5
  • EAN
    9789052019345
  • Présentation
    Broché
  • Nb. de pages
    374 pages
  • Dimensions
    22,5 cm × 15,0 cm × 0,0 cm

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À propos des auteurs

The Editors : Marc Maufort, the editor, teaches English, American and postcolonial literature at the Université Libre de Bruxelles (Belgium). He is the author of Songs of American Experience : The Vision of O'Neill and Melville (Peter Lang, 1990) and the editor of Staging Difference : Cultural Pluralism in American Theatre and Drama (Peter Lang, 1995). Franca Bellarsi, the associate editor, is an assistant in English and American literature at the Université Libre de Bruxelles (Belgium).
She has contributed several articles on the Beat Generation writers. Her affinity for theatre partly derives from her interest in American performance poetry.

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