SOLDES
Jusqu'à -70% sur une sélection d'articles*
Signatures of the Past. Cultural Memory in Contemporary Anglophone North American Drama
Par : ,Formats :
- Paiement en ligne :
- Livraison à domicile ou en point Mondial Relay estimée à partir du 10 aoûtCet article sera commandé chez un fournisseur et vous sera envoyé 21 jours après la date de votre commande.
- Retrait Click and Collect en magasin gratuit
- Livraison à domicile ou en point Mondial Relay estimée à partir du 10 août
- Réservation en ligne avec paiement en magasin :
- Indisponible pour réserver et payer en magasin
- Nombre de pages312
- FormatGrand Format
- PrésentationBroché
- Poids0.426 kg
- Dimensions15,0 cm × 22,0 cm × 1,7 cm
- ISBN978-90-5201-454-8
- EAN9789052014548
- Date de parution29/04/2015
- CollectionDramaturgies
- ÉditeurPIE
Résumé
In the last decades of the twentieth century, North American drama has powerfully enacted the problematic notions of cultural memory and identity, as the essays assembled in this critical anthology demonstrate. Echoing Derrida's non-essentialist interpretation of the term "signature", this collection provides an innovative focus on North American theatre and drama as a site of latent cultural memories.
In this volume, the concept of cultural memory offers a privileged vantage point from which to redefine issues of diasporic identities, exilic predicaments, and multi-ethnic subject positions at the dawn of a new century. Playwrights examined here include noted Canadian and US artists such as Marie Clements, Eva Ensler, Lorraine Hansberry, Tomson Highway, Cherríe Moraga, Djanet Sears, Guillermo Verdecchia, August Wilson, and Chay Yew, to cite but a few.
In the process of remembering, North American dramatists develop new aesthetic modes in which the signatures of the past merge with the present and foreshadow an imagined future.
In this volume, the concept of cultural memory offers a privileged vantage point from which to redefine issues of diasporic identities, exilic predicaments, and multi-ethnic subject positions at the dawn of a new century. Playwrights examined here include noted Canadian and US artists such as Marie Clements, Eva Ensler, Lorraine Hansberry, Tomson Highway, Cherríe Moraga, Djanet Sears, Guillermo Verdecchia, August Wilson, and Chay Yew, to cite but a few.
In the process of remembering, North American dramatists develop new aesthetic modes in which the signatures of the past merge with the present and foreshadow an imagined future.