Selling Pianos with Pictures - Commercial Art and Keyboard Instruments from the Eighteenth Century to the 1920s

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Michael Saffle - Selling Pianos with Pictures - Commercial Art and Keyboard Instruments from the Eighteenth Century to the 1920s.
Nineteenth- and early twentieth-century advertisements for pianos, pianists, merchants, music publishers and, above all, for domestic purchases are full... Lire la suite
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Résumé

Nineteenth- and early twentieth-century advertisements for pianos, pianists, merchants, music publishers and, above all, for domestic purchases are full of images employed for commercial rather than cultural purposes. This volume examines the commercial characters and significances of how pianos were pictured between the early days of ‘modern' marketing to today. During the early 1920s, piano sales peaked in the United States ; nevertheless, pianos have continued to be sold even as radios, record players, television sets and electric keyboards increasingly replace them as must-have sources of entertainment and improvement.
The market for player pianos, although comparatively short-lived, also provided manufacturers and retailers with opportunities to depict pianos and pictures.

Caractéristiques

  • Date de parution
    22/09/2021
  • Editeur
  • Collection
  • ISBN
    978-2-503-58357-0
  • EAN
    9782503583570
  • Présentation
    Broché
  • Nb. de pages
    186 pages
  • Poids
    0.82 Kg
  • Dimensions
    21,6 cm × 28,0 cm × 0,0 cm

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À propos de l'auteur

Biographie de Michael Saffle

Michael Saffle, Professor of Music and Humanities at Virginia Tech, has published books and articles about Franz Liszt, Richard Wagner, film and television music, and music for the 212 and 216 presidential elections. In 2-21 Saffle held the Bicentennial Fulbright Professorship in American Studies (a "Distinguished European Chair") at the University of Helsinki, Finland. He has also held fellowships awarded him by the American Philosophical Society, the Rockefeller Foundation, and the Alexander von Humboldt-Stiftung.

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