Literary Journalism and World War I. Marginal Voices

Par : Andrew Griffiths, Sara Prieto, Soenke Zehle
  • Nombre de pages284
  • FormatGrand Format
  • PrésentationBroché
  • Poids0.453 kg
  • Dimensions16,0 cm × 24,0 cm × 1,5 cm
  • ISBN978-2-8143-0282-2
  • EAN9782814302822
  • Date de parution24/01/2017
  • CollectionRegards croisés sur le monde a
  • ÉditeurPresses Universitaires Nancy

Résumé

Incorporating a wide range of international critical perspectives, this book offers a rich and complex vision of the press during the Great War. By presenting excerpts from several primary sources alongside a contextual gloss and a scholarly essay, the collection highlights the varied effects produced when literary techniques were fused with factual reportage. The primary texts selected come from neutral and warring countries alike, including the pacisfi st polemics of Belgian graphic artist Frans Masereel to the bitter irony of the soldiers' own trench journals.
These literary journalists bear witness to the common challenges with which writers from all nations grappled as they attempted to report on a new kind of warfare.
Andrew Griffiths, PhD is Associate Lecturer at Plymouth University and the Open University in the UK. His research focuses primarily on the relationship between journalism, literature and imperialism in the late 19th and early 20th centuries, with a particular emphasis on war correspondence. Sara Prieto, PhD is Assistant Professor at the Universidad de Alicante in Spain and an active member of the International Society for First World War Studies.
The main focus of her research is on war reportage during World War I in Britain and in the United States. Soenke Zehle, PhD is Lecturer in Media Theory at the Academy of Fine Arts Saar, Germany, where he also co-initiated and currently works as Managing Director of the academy's xm : lab (Experimental Media Lab), as well as K8, a non-profit company with a focus on educational research and critical design.
His research themes include visual culture and documentary aesthetics.