OFFRE LISEUSES
Une liseuse achetée = une housse offerte* jusqu'au 21 juin
1ère Gymnopédie. cello and piano.
Par :Formats :
Expédié sous 127 jours
Cet article sera commandé chez un fournisseur et vous sera envoyé 127 jours après la date de votre commande.
- Paiement en ligne :
- Livraison à domicile ou en point Mondial Relay estimée à partir du 14 octobreCet article sera commandé chez un fournisseur et vous sera envoyé 127 jours après la date de votre commande.
- Retrait Click and Collect en magasin gratuit
- Livraison à domicile ou en point Mondial Relay estimée à partir du 14 octobre
- Réservation en ligne avec paiement en magasin :
- Indisponible pour réserver et payer en magasin
- Nombre de pages4
- Poids0.042 kg
- Dimensions23,1 cm × 30,3 cm × 0,0 cm
- ISBNM-001-18163-7
- EAN9790001181631
- Date de parution01/01/2000
- CollectionEdition Schott - Single Editio
- ÉditeurSchott
- MusicienWolfgang Birtel
Résumé
The music scene took notice of Erik Satie (1866-1925) all of a sudden : The world premiere of his ballet 'Parade' on 18 May 1917 [siehe dt. Text ! ] caused quite a scandal. The production which involved Sergey Diaghilev with his 'Ballets Russes', Pablo Picasso (scenery and costumes), Jean Cocteau (story) as well as Léonide Massine (choreography) divided the music scene of Paris, yet made the composer widely known.
Satie who hardly had had any solid musical training and lived in Paris for almost all his life developed a new musical style, in deliberate rejection of the 'Wagnérisme' of his time. Classical form models, new harmonies, stylistic ease, meditative and clownish elements amalgamated in an original way, the perfect example being his '3 Gymnopédies' of 1888 the first of which was here arranged for a solo instrument with piano accompaniment : Thus, it is now possible, even for non-pianists, to play this famous miniature by Satie.
Thanks to its easy playability, it can also be used for educational purposes. Instrumentation : cello and piano
Satie who hardly had had any solid musical training and lived in Paris for almost all his life developed a new musical style, in deliberate rejection of the 'Wagnérisme' of his time. Classical form models, new harmonies, stylistic ease, meditative and clownish elements amalgamated in an original way, the perfect example being his '3 Gymnopédies' of 1888 the first of which was here arranged for a solo instrument with piano accompaniment : Thus, it is now possible, even for non-pianists, to play this famous miniature by Satie.
Thanks to its easy playability, it can also be used for educational purposes. Instrumentation : cello and piano
L'éditeur en parle
The music scene took notice of Erik Satie all of a sudden : The world premiere of his ballet 'Parade' in 1917 [siehe dt. Text ! ] caused quite a scandal. The production divided the music scene of Paris, yet made the composer widely known. Satie who hardly had had any solid musical training developed a new musical style, in deliberate rejection of the 'Wagnérisme' of his time, the perfect example being his '3 Gymnopédies' of 1888 the first of which was here arranged for a solo instrument with piano accompaniment : Thanks to its easy playability, it can also be used for educational purposes.
Besetzung : cello and piano
Besetzung : cello and piano
