Omni-Visibilis - E-book - Epub fixed layout

Edition en anglais

Note moyenne 
 Trondheim et Matthieu Bonhomme - Omni-Visibilis.
Hervé's awkward, irritating, and maybe a bit OCD, but in the end, he's a normal guy. He has a job, his buddies, a girlfriend, and a mother who keeps... Lire la suite
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Résumé

Hervé's awkward, irritating, and maybe a bit OCD, but in the end, he's a normal guy. He has a job, his buddies, a girlfriend, and a mother who keeps close tabs on him. One particular day starts out just like any other, but on his way to work, he quickly realizes that things are anything but normal. Every person he crosses paths with not only seems to know him, but sees what he sees, and hears what he hears.
And he soon discovers that everyone else on Earth is connected with him too. So begins a day unlike any other, with Hervé cast out of anonymity and into a nightmare of confusion and danger.

Caractéristiques

  • Date de parution
    24/03/2021
  • Editeur
  • Collection
    Omni-Visibilis
  • ISBN
    979-10-328-1192-4
  • EAN
    9791032811924
  • Format
    Epub fixed layout
  • Caractéristiques du format Epub fixed layout
    • Taille
      154 112 Ko
    • Protection num.
      Digital Watermarking

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À propos des auteurs

Born in 1964 in Fontainebleau, Lewis Trondheim had a dull childhood and an uneventful adolescence. When he was 15, he copied his cousin and went to technical school. He first tried science and mechanics, but he was so bad that they repatriated him to philosophy and literature. With his philosophy Baccalaureate in the bag, he started out in comics because he fancied telling stories and wanted to try out drawing.
Around the age of 25, armed with a photocopier, he single-handedly published a fanzine, which lasted for 12 issues. On discovering that minimalist art has its limits, he decided to learn how to draw. And he came up with "Lapinot et les carottes de Patagonie" (L'Association et le lézard, 1992, 2nd ed. L'Association, 1995). It was in 1990, with five other artists, that he founded the editorial structure "L'Association, " realizing that you can actually make a living in this field.
He left Paris for the South, became a dad, and then joined up with publisher Dargaud in 1995 with the fourth volume of the "Formidables aventures de Lapinot" ("The Marvelous Adventures of McConey, " Europe Comics 2018). He received a prize at Angouleme in 1994 for "Slaloms" (L'Association, 1993), and in 1996 he received the Comic Book Totem at the Montreuil Book Fair. In collaboration with Joann Sfar and other authors, he worked on the heroic-fantasy series "Donjon" (Delcourt) in the late '90s.
From 2000 on, with Dargaud, he also worked on the series "Les Cosmonautes du futur" ("Cosmonauts of the Future, " Europe Comics 2018), in tandem with Manu Larcenet. Over the years, several TV adaptations have been made of Trondheim's albums, such as "La Mouche" (Le Seuil, 1995, broadcast on France 3). In 2004, he became the director of the "Shampooing" series at Delcourt, for which he also ended up producing several albums.
But that didn't stop him from releasing other new series with different publishers. In 2011, he started "Ralph Azham" (Dupuis), quickly followed by "Maggy Garrisson" (Dupuis; Europe Comics 2017), illustrated by Stéphane Oiry. And in 2016, he illustrated and collaborated on the script for "Coquelicots d'Irak" (L'Association; "Poppies of Iraq, " Drawn & Quarterly), part biography and part historical account.
He then continued down the path of history in 2018 as co-director of the children's collection "Au fil de l'histoire" (Dupuis; "On the History Trail, " Europe Comics). Trondheim was made a knight of the order of Arts and Literature in 2005, and the following year received the grand prix at the Angouleme International Comics Festival. Matthieu Bonhomme was born in Paris on June 17th, 1973. He was soon spending much of his free time drawing and, in his final years at school, he studied for a vocational qualification in art and design, gained in 1992.
His encounter with Christian Rossi, and then Serge Le Tendre and Jean-Claude Mézières, was decisive. Matthieu spent the next five years learning from them, receiving valuable advice about the profession in all its many forms. He put this advice into practice when he embarked on various pieces of work (cartoons and illustrations) for several magazines such as Spirou, Je Bouquine, Grain de soleil, Maximum, D-Lire, Image Doc, and others.
Working with Jean-Michel Darlot, he then produced a 46-page work which was published in Okapi between January and April 2000, some smaller pieces of illustration work for the publisher Nathan, plus a book, "Contes et récits de la conquête de l'ouest, " in 2000, with author Christophe Lambert. His next decisive encounter, at the Atelier des Vosges, was with Fabien Vehlmann, who wrote for him "The Marquis of Anaon" (Dargaud/Cinebook 2002).
In 2002, he also started the adventure series "Esteban" (Dargaud/Europe Comics 2015). More recently, his spin-off of the classic series "Lucky Luke, " "The Man Who Shot Lucky Luke, " proved to be a smashing success with critics and readers alike (Lucky Comics 2016, Europe Comics in English 2016). And in 2018, alongside Fabien Nury, he began the historical fiction series "Charlotte Impératrice" (Dargaud; "Empress Charlotte, " Europe Comics).

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