Enfant terrible de la littérature américaine contemporaine, Gore Vidal, né le 3 octobre 1925, a une vingtaine dessais à son actif, mais aussi six pièces de théâtre et environ vingt-cinq romans. Il a débuté sa carrière dans les années 1950 en écrivant beaucoup pour la télévision et le cinéma, avant de se consacrer pleinement à la littérature. Cest avec « Un garçon près de la rivière » paru en 1948 qu'il se fait connaître car il ose aborder ouvertement le thème de lhomosexualité dans une Amérique encore bien puritaine. Depuis il est surtout connu pour ses grandes fresques historiques : « Julien » en 2006, « Empire » en 2008 ou « Lincoln » en 2010. Il ne faut pas passer à côté de « Palimpseste » paru en 2006, dans lequel il dresse une superbe galerie de portraits des personnalités quil a croisées dans la première partie de sa longue vie, et quil complète en 2008 par un deuxième tome « A lestime ».
Nouveauté
Narratives of Empire. Burr
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- Nombre de pages512
- FormatePub
- ISBN978-0-349-14824-3
- EAN9780349148243
- Date de parution31/07/2025
- Protection num.Adobe DRM
- Infos supplémentairesepub
- ÉditeurAbacus
Résumé
Gore Vidal's classic novel of Aaron Burr - the man who shot Alexander Hamilton. In 1804, Colonel Aaron Burr, Vice-President of the United States, shot and killed Alexander Hamilton in a duel. Three years later, on the order of President Thomas Jefferson, he was tried for treason: for plotting to dismember the United States. Gore Vidal, romping iconoclastically through American history, debunks, in this historical novel of Burr's life, the common and casually held notion of the man as a scoundrel and an adventurer.
Instead he appears as one of the 'host of choice spirits' forced to live among coarse, materialistic, hypocritical people, among them Jefferson and Hamilton. Here, the latter appears as a power-hungry 'parvenu' from the West Indies and the former as a semi-literate slave-owning tyrant. American politics, suggests Vidal, had a penchant for the vulgar. Even then. Veering backwards to the revolution and the early days of the republic, stopping at dinner-parties on the way, and reaching forward to the future, Burr is a novel about treason, both the particular and in general.
For what, asks Vidal, really belongs to whom? What properly belongs to the Constitution, to the nation, to the family even, intriguingly, to novelists and historians?
Instead he appears as one of the 'host of choice spirits' forced to live among coarse, materialistic, hypocritical people, among them Jefferson and Hamilton. Here, the latter appears as a power-hungry 'parvenu' from the West Indies and the former as a semi-literate slave-owning tyrant. American politics, suggests Vidal, had a penchant for the vulgar. Even then. Veering backwards to the revolution and the early days of the republic, stopping at dinner-parties on the way, and reaching forward to the future, Burr is a novel about treason, both the particular and in general.
For what, asks Vidal, really belongs to whom? What properly belongs to the Constitution, to the nation, to the family even, intriguingly, to novelists and historians?
Gore Vidal's classic novel of Aaron Burr - the man who shot Alexander Hamilton. In 1804, Colonel Aaron Burr, Vice-President of the United States, shot and killed Alexander Hamilton in a duel. Three years later, on the order of President Thomas Jefferson, he was tried for treason: for plotting to dismember the United States. Gore Vidal, romping iconoclastically through American history, debunks, in this historical novel of Burr's life, the common and casually held notion of the man as a scoundrel and an adventurer.
Instead he appears as one of the 'host of choice spirits' forced to live among coarse, materialistic, hypocritical people, among them Jefferson and Hamilton. Here, the latter appears as a power-hungry 'parvenu' from the West Indies and the former as a semi-literate slave-owning tyrant. American politics, suggests Vidal, had a penchant for the vulgar. Even then. Veering backwards to the revolution and the early days of the republic, stopping at dinner-parties on the way, and reaching forward to the future, Burr is a novel about treason, both the particular and in general.
For what, asks Vidal, really belongs to whom? What properly belongs to the Constitution, to the nation, to the family even, intriguingly, to novelists and historians?
Instead he appears as one of the 'host of choice spirits' forced to live among coarse, materialistic, hypocritical people, among them Jefferson and Hamilton. Here, the latter appears as a power-hungry 'parvenu' from the West Indies and the former as a semi-literate slave-owning tyrant. American politics, suggests Vidal, had a penchant for the vulgar. Even then. Veering backwards to the revolution and the early days of the republic, stopping at dinner-parties on the way, and reaching forward to the future, Burr is a novel about treason, both the particular and in general.
For what, asks Vidal, really belongs to whom? What properly belongs to the Constitution, to the nation, to the family even, intriguingly, to novelists and historians?