Enfant terrible de la littérature américaine contemporaine, Gore Vidal, né le 3 octobre 1925, a une vingtaine dessais à son actif, mais aussi six pièces de théâtre et environ vingt-cinq romans. Il a débuté sa carrière dans les années 1950 en écrivant beaucoup pour la télévision et le cinéma, avant de se consacrer pleinement à la littérature. Cest avec « Un garçon près de la rivière » paru en 1948 qu'il se fait connaître car il ose aborder ouvertement le thème de lhomosexualité dans une Amérique encore bien puritaine. Depuis il est surtout connu pour ses grandes fresques historiques : « Julien » en 2006, « Empire » en 2008 ou « Lincoln » en 2010. Il ne faut pas passer à côté de « Palimpseste » paru en 2006, dans lequel il dresse une superbe galerie de portraits des personnalités quil a croisées dans la première partie de sa longue vie, et quil complète en 2008 par un deuxième tome « A lestime ».
Nouveauté
1876. Number 3 in series
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- Nombre de pages448
- FormatePub
- ISBN978-0-349-14823-6
- EAN9780349148236
- Date de parution31/07/2025
- Protection num.Adobe DRM
- Infos supplémentairesepub
- ÉditeurAbacus
Résumé
With the centennial year of the United States as the target of this historical novel, Gore Vidal again mounts a glorious expedition into that grimy and intricate activity called politics. And this is politics as it ought to be: gossip, corruption, money, dinner parties, more corruption, and all the tacky panoply of power. Into the rarefied atmosphere of a world where money has begun to talk very loudly ? usually through the mouths of people called Astor ? step Charles Schuyler and his daughter Emma.
Charlie is the unacknowledged bastard son of Aaron Burr; Emma is rather beautiful; and both think it is prudent to return from penury in Europe and secure a fortuitous marriage for Emma. But America is no longer a young republic; it's a fledgling international superpower with its attendant seedy administration, dubious election campaigns, snobbery, 'popped corn', 'speaking tubes' and 'perpendicular railways' (lifts).
It's a world that will welcome into its social and political bosom these two attractive exotics with the right names. And it's a world whose every political peccadillo, social slip-up and irresistible intrigue is recorded in this, the journal of Charlie Schuyler.
Charlie is the unacknowledged bastard son of Aaron Burr; Emma is rather beautiful; and both think it is prudent to return from penury in Europe and secure a fortuitous marriage for Emma. But America is no longer a young republic; it's a fledgling international superpower with its attendant seedy administration, dubious election campaigns, snobbery, 'popped corn', 'speaking tubes' and 'perpendicular railways' (lifts).
It's a world that will welcome into its social and political bosom these two attractive exotics with the right names. And it's a world whose every political peccadillo, social slip-up and irresistible intrigue is recorded in this, the journal of Charlie Schuyler.
With the centennial year of the United States as the target of this historical novel, Gore Vidal again mounts a glorious expedition into that grimy and intricate activity called politics. And this is politics as it ought to be: gossip, corruption, money, dinner parties, more corruption, and all the tacky panoply of power. Into the rarefied atmosphere of a world where money has begun to talk very loudly ? usually through the mouths of people called Astor ? step Charles Schuyler and his daughter Emma.
Charlie is the unacknowledged bastard son of Aaron Burr; Emma is rather beautiful; and both think it is prudent to return from penury in Europe and secure a fortuitous marriage for Emma. But America is no longer a young republic; it's a fledgling international superpower with its attendant seedy administration, dubious election campaigns, snobbery, 'popped corn', 'speaking tubes' and 'perpendicular railways' (lifts).
It's a world that will welcome into its social and political bosom these two attractive exotics with the right names. And it's a world whose every political peccadillo, social slip-up and irresistible intrigue is recorded in this, the journal of Charlie Schuyler.
Charlie is the unacknowledged bastard son of Aaron Burr; Emma is rather beautiful; and both think it is prudent to return from penury in Europe and secure a fortuitous marriage for Emma. But America is no longer a young republic; it's a fledgling international superpower with its attendant seedy administration, dubious election campaigns, snobbery, 'popped corn', 'speaking tubes' and 'perpendicular railways' (lifts).
It's a world that will welcome into its social and political bosom these two attractive exotics with the right names. And it's a world whose every political peccadillo, social slip-up and irresistible intrigue is recorded in this, the journal of Charlie Schuyler.