Professor Spingarn has done students of literature a real favor; for he has gathered into a single and well-made volume, golden pages from one of the great masters of literature. As divergent-minded judges as Carlyle, Matthew Arnold and Sainte-Beuve acclaimed Goethe the supreme literary critic of all time and, whatever might be said against so superlative an opinion, certainly Goethe's many-sidedness, his undoubted genius, and his keen insight all conspired to give his judgments on literature a value too great to be ignored.
All phases of his critical activity are represented in this excellent volume, which is the work of several translators, all of high standard.
Goethe was keenly interested in French and in English literature, no less than in German, and for the English reader there will be much to stimulate thought in his sympathetic appreciation of Shakespeare. Those of us who have found the great dramatist's plays strangely failing in power to lift us out of ou selves, can find much to ponder over in Goethe's declaration: "Shakespeare gets his effect by means of the living word, and it is for this reason that one should hear him read, for then the attention is not distracted either by a too adequate or too in adequate stage-setting.
There is no higher .
Professor Spingarn has done students of literature a real favor; for he has gathered into a single and well-made volume, golden pages from one of the great masters of literature. As divergent-minded judges as Carlyle, Matthew Arnold and Sainte-Beuve acclaimed Goethe the supreme literary critic of all time and, whatever might be said against so superlative an opinion, certainly Goethe's many-sidedness, his undoubted genius, and his keen insight all conspired to give his judgments on literature a value too great to be ignored.
All phases of his critical activity are represented in this excellent volume, which is the work of several translators, all of high standard.
Goethe was keenly interested in French and in English literature, no less than in German, and for the English reader there will be much to stimulate thought in his sympathetic appreciation of Shakespeare. Those of us who have found the great dramatist's plays strangely failing in power to lift us out of ou selves, can find much to ponder over in Goethe's declaration: "Shakespeare gets his effect by means of the living word, and it is for this reason that one should hear him read, for then the attention is not distracted either by a too adequate or too in adequate stage-setting.
There is no higher .