Violin Concerto. violin and orchestra. Réduction pour piano avec partie soliste.

Par : James MacMillan

Formats :

  • Réservation en ligne avec paiement en magasin :
    • Indisponible pour réserver et payer en magasin
  • Nombre de pages88
  • Poids0.311 kg
  • Dimensions22,9 cm × 30,5 cm × 0,0 cm
  • ISBN0-85162-780-3
  • EAN9780851627809
  • Date de parution01/01/2000
  • ÉditeurBOOSEY

Résumé

The first movement begins with a short, punchy motive, which kicks off a fast, jerky solo violin theme. This is followed by a high, floating singing line, with murmuring accompaniment. The second movement begins with a simple, expressive melody in the accompaniment. Whilst the violin takes up the melody, a series of simple chords emerges. After a succession of episodes the music takes an unexpected shift, with a hazy remembered amalgam of old Irish tunes evoking the memory of childhood.
The third movement combines the two concepts of the earlier movements - song and dance - and adds a new feeling of burlesque, and some spoken material (in German). Increased vigour and a growing sense of abandon follow, and after a lyrical waltz the music draws to a close with a tragic outburst, an unaccompanied cadenza, and a brief codetta. The work is dedicated to Vadim Repin and in memoriam Ellen MacMillan (1935-2008).
Instrumentation : violin and orchestra
The first movement begins with a short, punchy motive, which kicks off a fast, jerky solo violin theme. This is followed by a high, floating singing line, with murmuring accompaniment. The second movement begins with a simple, expressive melody in the accompaniment. Whilst the violin takes up the melody, a series of simple chords emerges. After a succession of episodes the music takes an unexpected shift, with a hazy remembered amalgam of old Irish tunes evoking the memory of childhood.
The third movement combines the two concepts of the earlier movements - song and dance - and adds a new feeling of burlesque, and some spoken material (in German). Increased vigour and a growing sense of abandon follow, and after a lyrical waltz the music draws to a close with a tragic outburst, an unaccompanied cadenza, and a brief codetta. The work is dedicated to Vadim Repin and in memoriam Ellen MacMillan (1935-2008).
Instrumentation : violin and orchestra