Violin Concerto. violin and orchestra. Réduction pour piano avec partie soliste.
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- Nombre de pages88
- Poids0.311 kg
- Dimensions22,9 cm × 30,5 cm × 0,0 cm
- ISBN0-85162-780-3
- EAN9780851627809
- Date de parution01/01/2000
- ÉditeurBOOSEY
Résumé
The first movement begins with a short, punchy motive, which kicks off a fast, jerky solo violin theme. This is followed by a high, floating singing line, with murmuring accompaniment. The second movement begins with a simple, expressive melody in the accompaniment. Whilst the violin takes up the melody, a series of simple chords emerges. After a succession of episodes the music takes an unexpected shift, with a hazy remembered amalgam of old Irish tunes evoking the memory of childhood.
The third movement combines the two concepts of the earlier movements - song and dance - and adds a new feeling of burlesque, and some spoken material (in German). Increased vigour and a growing sense of abandon follow, and after a lyrical waltz the music draws to a close with a tragic outburst, an unaccompanied cadenza, and a brief codetta. The work is dedicated to Vadim Repin and in memoriam Ellen MacMillan (1935-2008).
Instrumentation : violin and orchestra
The third movement combines the two concepts of the earlier movements - song and dance - and adds a new feeling of burlesque, and some spoken material (in German). Increased vigour and a growing sense of abandon follow, and after a lyrical waltz the music draws to a close with a tragic outburst, an unaccompanied cadenza, and a brief codetta. The work is dedicated to Vadim Repin and in memoriam Ellen MacMillan (1935-2008).
Instrumentation : violin and orchestra
The first movement begins with a short, punchy motive, which kicks off a fast, jerky solo violin theme. This is followed by a high, floating singing line, with murmuring accompaniment. The second movement begins with a simple, expressive melody in the accompaniment. Whilst the violin takes up the melody, a series of simple chords emerges. After a succession of episodes the music takes an unexpected shift, with a hazy remembered amalgam of old Irish tunes evoking the memory of childhood.
The third movement combines the two concepts of the earlier movements - song and dance - and adds a new feeling of burlesque, and some spoken material (in German). Increased vigour and a growing sense of abandon follow, and after a lyrical waltz the music draws to a close with a tragic outburst, an unaccompanied cadenza, and a brief codetta. The work is dedicated to Vadim Repin and in memoriam Ellen MacMillan (1935-2008).
Instrumentation : violin and orchestra
The third movement combines the two concepts of the earlier movements - song and dance - and adds a new feeling of burlesque, and some spoken material (in German). Increased vigour and a growing sense of abandon follow, and after a lyrical waltz the music draws to a close with a tragic outburst, an unaccompanied cadenza, and a brief codetta. The work is dedicated to Vadim Repin and in memoriam Ellen MacMillan (1935-2008).
Instrumentation : violin and orchestra