Edition Schott
Transcriptions de Machaut. pour quatre voix et trois altos. 4 voices (CtTTB) and 3 violas. Partition vocale/chorale et instrumentale.
Par : Formats :
- Paiement en ligne :
- Livraison à domicile ou en point Mondial Relay indisponible
- Retrait Click and Collect en magasin gratuit
- Réservation en ligne avec paiement en magasin :
- Indisponible pour réserver et payer en magasin
- Nombre de pages120
- Poids0.363 kg
- Dimensions30,3 cm × 22,2 cm × 0,0 cm
- ISBN979-0-001-17621-7
- EAN9790001176217
- Date de parution01/01/2012
- ÉditeurSchott
Résumé
In Heinz Holliger's works, the succinct term 'transcriptions' conceals multi-layered variants of the enigmatic source material and the most subtle diversification of sound, using the technical possibilities of the 21st century. In the complete, almost one-hour cycle, Machaut's original compositions, which are to be performed a cappella, have been interwoven with Holliger's transcriptions. Four of the transcriptions have been arranged for three violas alone.
The traditional monophonic lay 'Amours doucement me tente', however, appears in a new four-part vocal setting. It is only in the concluding complainte 'Tels rit au main qui au soir pleure' that the singing voices join the violas. Instrumentation : 4 voices (CtTTB) and 3 violas
The traditional monophonic lay 'Amours doucement me tente', however, appears in a new four-part vocal setting. It is only in the concluding complainte 'Tels rit au main qui au soir pleure' that the singing voices join the violas. Instrumentation : 4 voices (CtTTB) and 3 violas
In Heinz Holliger's works, the succinct term 'transcriptions' conceals multi-layered variants of the enigmatic source material and the most subtle diversification of sound, using the technical possibilities of the 21st century. In the complete, almost one-hour cycle, Machaut's original compositions, which are to be performed a cappella, have been interwoven with Holliger's transcriptions. Four of the transcriptions have been arranged for three violas alone.
The traditional monophonic lay 'Amours doucement me tente', however, appears in a new four-part vocal setting. It is only in the concluding complainte 'Tels rit au main qui au soir pleure' that the singing voices join the violas. Instrumentation : 4 voices (CtTTB) and 3 violas
The traditional monophonic lay 'Amours doucement me tente', however, appears in a new four-part vocal setting. It is only in the concluding complainte 'Tels rit au main qui au soir pleure' that the singing voices join the violas. Instrumentation : 4 voices (CtTTB) and 3 violas
