Rossend Arqués Corominas is Professor of Italian Literature at the Universitat Autónoma of Barcelona. Silvia Maddalo is Professor of History of Medieval Art at the Università degli Studi della Tuscia. Laura Pasquini is Adjunct Professor of History of Medieval Art at the Università di Bologna.
The Smiling Walls. Dante and the Visual Arts
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- Nombre de pages544
- FormatGrand Format
- PrésentationRelié
- Poids2.605 kg
- Dimensions23,0 cm × 29,0 cm × 4,0 cm
- ISBN978-2-503-59450-7
- EAN9782503594507
- Date de parution01/01/2023
- ÉditeurBrepols
- TraducteurNicola Di Nino
Résumé
La ricezione artistica della Commedia nella pittura murale realizzata tra il Trecento e il Cinquecento da alcuni dei più grandi artisti di questo periodo, è affrontata perla prima volta in questo volume nella sua articolata e composita totalità. Per ciascuna delle epoche e per ciascuna delle opere dei secoli presi in esame sono intervenuti noti specialisti che hanno analizzato in particolare i diversi momenti in cui questi pittori hanno raffigurato l'aldilà e il giudizio universale alla luce dell'esperienza dantesca.
This book addresses the artistic reception of Dante's Divine Comedy in mural painting from the Trecento to the Cinquecento, created by some of the greatest fresco painters of this period, and presented here for the first time in its articulated and composite totality. Well-known specialists address each of the epochs and each of the artists studied, analyzing in particular the different moments in which the painters of these centuries have placed the figuration of the afterlife and of the universal judgment in the light of the Dante experience.
This book addresses the artistic reception of Dante's Divine Comedy in mural painting from the Trecento to the Cinquecento, created by some of the greatest fresco painters of this period, and presented here for the first time in its articulated and composite totality. Well-known specialists address each of the epochs and each of the artists studied, analyzing in particular the different moments in which the painters of these centuries have placed the figuration of the afterlife and of the universal judgment in the light of the Dante experience.