Torbjørn Rødland (b. 1970, Stavanger, Norway) has been the subject of solo exhibitions including Bible Eye, The Contemporary Austin, Texas (2021); Fifth Honeymoon, a traveling exhibition produced as a collaboration between Bergen Kunsthall, Norway, Bonniers Konsthall, Stockholm, and the Museum of Contemporary Art Kiasma, Helsinki (2018–2019); THE TOUCH THAT MADE YOU, Fondazione Prada, Milan (2018) and the Serpentine, London (2017); and Back in Touch, C/O Berlin (2017). His work is in the permanent collections of museums including Albright-Knox Art Gallery, Buffalo, New York; Astrup Fearnley Museum of Modern Art, Oslo; Los Angeles County Museum of Art; Museum of Contemporary Art Chicago; Stedelijk Museum, Amsterdam; Whitney Museum of American Art and Museum of Modern Art, both New York City. Rødland lives and works in Los Angeles. Previous books include Confabulations (2016) and Vanilla Partner (2012).
The Pregnant Virgin
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- Nombre de pages112
- PrésentationRelié
- FormatBeau Livre
- Poids1.001 kg
- Dimensions21,6 cm × 28,0 cm × 0,0 cm
- ISBN978-1-915743-06-0
- EAN9781915743060
- Date de parution19/07/2023
- ÉditeurMack
Résumé
The title of this new book from renowned photographer and book- maker Torbjorn Rodland suggests that the artist is looking for the divine in his sitters. If the child in Madonna and child paintings symbolises truth, then the pregnant virgin might represent a temporarily concealed truth - one masked or hidden behind compromised shells and failing bodies, young and old. The photographs in this arresting new collection negotiate surface and interiority and welcome tensions between contingent reality and archetypes, often uncannily recalling day-to-day life in intensely physical and opaquely allusive scenes.
Constructed with characteristic precision and an instinct for surrealism and surprise, this sequence feeds on symbolism and visual texture in a sense reminiscent of classic 'art' photography or religious painting, but its self-conscious edge gives it a distinct and hard-to-fathom charge. With The Pregnant Virgin, Rodland explores analogue photography in dialogue both with online digital culture and visual art from before photography existed as a stable medium.
Constructed with characteristic precision and an instinct for surrealism and surprise, this sequence feeds on symbolism and visual texture in a sense reminiscent of classic 'art' photography or religious painting, but its self-conscious edge gives it a distinct and hard-to-fathom charge. With The Pregnant Virgin, Rodland explores analogue photography in dialogue both with online digital culture and visual art from before photography existed as a stable medium.
The title of this new book from renowned photographer and book- maker Torbjorn Rodland suggests that the artist is looking for the divine in his sitters. If the child in Madonna and child paintings symbolises truth, then the pregnant virgin might represent a temporarily concealed truth - one masked or hidden behind compromised shells and failing bodies, young and old. The photographs in this arresting new collection negotiate surface and interiority and welcome tensions between contingent reality and archetypes, often uncannily recalling day-to-day life in intensely physical and opaquely allusive scenes.
Constructed with characteristic precision and an instinct for surrealism and surprise, this sequence feeds on symbolism and visual texture in a sense reminiscent of classic 'art' photography or religious painting, but its self-conscious edge gives it a distinct and hard-to-fathom charge. With The Pregnant Virgin, Rodland explores analogue photography in dialogue both with online digital culture and visual art from before photography existed as a stable medium.
Constructed with characteristic precision and an instinct for surrealism and surprise, this sequence feeds on symbolism and visual texture in a sense reminiscent of classic 'art' photography or religious painting, but its self-conscious edge gives it a distinct and hard-to-fathom charge. With The Pregnant Virgin, Rodland explores analogue photography in dialogue both with online digital culture and visual art from before photography existed as a stable medium.