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The Castle by Richard Mosse documents refugee camps located along mass migration routes into the European Union from the Middle East and Central Asia, via Turkey. Mosse's panoramic images are composed of hundreds of video frames derived from footage made with a thermo-graphic camera designed for long-range border enforcement. Truncating time and space, these composite "heat maps" draw attention to the hostile environments in which asylum-seekers endure a Byzantine state of limbo.
