The Cambridge Companion to the Symphony - Grand Format

Edition en anglais

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Few genres of the last 250 years have proved so crucial to the course of music history, or so vital to public musical experience, as the symphony. This... Lire la suite
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Résumé

Few genres of the last 250 years have proved so crucial to the course of music history, or so vital to public musical experience, as the symphony. This Companion offers an accessible guide to the historical, analytical and interpretative issues surrounding this major genre of Western music, discussing an extensive variety of works from the eighteenth century to the present day. The book complements a detailed review of the symphony's history with focussed analytical essays from leading scholars on the symphonic music both of mainstream composers, including Haydn, Mozart and Beethoven, and of recent figures, such as Carter and Berio.

With chapters on a comprehensive range of topics, from the symphony's origins to the politics of its reception in the twentieth century, this is an invaluable resource for anyone with an interest in the history, analysis and performance of the symphonic repertoire.

Sommaire

      • HISTORICAL OVERVIEW OF THE GENRE
        • John Irving - The Viennese symphony 1750 to 1827
        • Mary Sue Morrow - Other classical repertories
        • David Brodheck - The symphony after Beethoven after Dahlhaus
        • David Fanning - The symphony since Mahler : national and international trends
      • STUDIES IN SYMPHONIC ANALYSTS
        • Michael Spitzer - Six great early symphonists
        • Simon P
        • Keefe - Harmonies and effects : Haydn and Mozart in parallel
        • Mark Anson-Cartwright - Beethoven : structural principles and narrative strategies
        • Julian Horton - Cyclical thematic processes in the nineteenth-century symphony
        • Julian Horton - Tonal strategies in the nineteenth-century symphony
        • Steven Vande Moortele - 'Two-dimensional' symphonic forms : Schoenberg's Chamber Symphony, before, and after
        • Daniel M
        • Grimley - Symphony/antiphony : formal strategies in the twentieth- century symphony
      • PERFORMANCE, RECEPTION AND GENRE
        • Richard Will - The symphony and the classical orchestra
        • Mark Evan Bonds - Beethoven's shadow : the nineteenth century
        • John Williamson - The symphony as programme music
        • Pauline Fairclough - 'Symphonies of the free spirit' : the Austro-German symphony in early Soviet Russia
        • Alain Frogley - The symphony in Britain : guardianship and renewal
        • Alan Street - The symphony, the modern orchestra and the performing canon.

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