INTERVIEW : JULIA BRYAN-WILSON is Professor of Modern and Contemporary Art and Director of the UC Berkeley Arts Research Center at the University of California. She Is the author of Art Workers Rarer, Practice In the Vietnam War Era (2009) Art In the Makmq Artists and Them Material, from the Studio to Crowdsourcing (with Glenn Adamson, 2016) and Fray : Art and Textile Pnli1ra (2017). Her writings have appeared in magannes and journals such as Afterall, Art Journal Artforum, Camera Obscure Frieze and October Her article 'Invisible Products' received the 2013 Art Journal Award from the College Art Association.
SURVEY : JEANNINE TANG is an art historian teaching as Senior Acadermc Advisor and LUMA Fellow at Center for Curatorial Studies, Bard College In New York. Her writing has appeared in venues such as Artforum, Art Journal TI- D Culture 6 Soóety,Aftemmane and Journal of Visual Culture She has Contributed to many exhibition catalogues and books, including Critical Landscapes : Art Snare Politvs (2015), Tripper.
Gender as a Tool and a Weapon (2019) Trap Door. Trans Cultural Production and the Politics of 711151Í5 (2018), and Is co-curator of the exhibition The Conditions of Being Art Pat Hearn Gallery and American F1ne Arts Co (1983-2004) at the Hesse] Museum, CCS Bard (2018) FOCUS : LANKA TATTERSALL Is Assistant Curator at the Museum of Contemporary Art, Las Angeles where she orga-ized a major survey exhibition of the work of Haegue Yang and the first solo museum exhibition of the work of Cameron Rowland Prior to icon, MOCA, Tattersall was Curatorial Assistant at the Museum of Modern Art, New York, where she was a member of the curatorial team for Aible.
Selmer Pplke 1963-2010. She holds graduate degrees from Harvard Unwersey antl Columbia Unwersty ARTIST'S CHOICE : This section features extracts from texts written by artists such as THERESA HAK KYU NG CHA (19511982), MARY KELLY, CANDACE HILL-MONTGOMERY, IMAN ISSA and EMILY ROYSOON, philosopher ADRIANA CAVARERO ; playwright and writer LORRAINE HANSBERRY (1930-1965), and literary tFIAPOs, scholars and femirnst critics GAYATRI C.
SPIVAK and SARA AHMED ARTIST'S WRITINGS : SHARON HAYES has written extensively on subjects like politics, anthropology, Feminism and art In books, Journals and periodicals, Inc]udIng LTTR (Lesbian, to the Rescue) and Cabinet.
SURVEY : JEANNINE TANG is an art historian teaching as Senior Acadermc Advisor and LUMA Fellow at Center for Curatorial Studies, Bard College In New York. Her writing has appeared in venues such as Artforum, Art Journal TI- D Culture 6 Soóety,Aftemmane and Journal of Visual Culture She has Contributed to many exhibition catalogues and books, including Critical Landscapes : Art Snare Politvs (2015), Tripper.
Gender as a Tool and a Weapon (2019) Trap Door. Trans Cultural Production and the Politics of 711151Í5 (2018), and Is co-curator of the exhibition The Conditions of Being Art Pat Hearn Gallery and American F1ne Arts Co (1983-2004) at the Hesse] Museum, CCS Bard (2018) FOCUS : LANKA TATTERSALL Is Assistant Curator at the Museum of Contemporary Art, Las Angeles where she orga-ized a major survey exhibition of the work of Haegue Yang and the first solo museum exhibition of the work of Cameron Rowland Prior to icon, MOCA, Tattersall was Curatorial Assistant at the Museum of Modern Art, New York, where she was a member of the curatorial team for Aible.
Selmer Pplke 1963-2010. She holds graduate degrees from Harvard Unwersey antl Columbia Unwersty ARTIST'S CHOICE : This section features extracts from texts written by artists such as THERESA HAK KYU NG CHA (19511982), MARY KELLY, CANDACE HILL-MONTGOMERY, IMAN ISSA and EMILY ROYSOON, philosopher ADRIANA CAVARERO ; playwright and writer LORRAINE HANSBERRY (1930-1965), and literary tFIAPOs, scholars and femirnst critics GAYATRI C.
SPIVAK and SARA AHMED ARTIST'S WRITINGS : SHARON HAYES has written extensively on subjects like politics, anthropology, Feminism and art In books, Journals and periodicals, Inc]udIng LTTR (Lesbian, to the Rescue) and Cabinet.
