The Author : David Carrier received his Ph.D. from Columbia University. Since 2001 he has been Champney Family Professor, a post divided between Case Western Reserve University and the Cleveland Institute of Art. He has been a Getty Scholar, a Clark Fellow, and a Senior Fellow at the National Humanities Center. He will be a Fulbright-Luce lecturer in Beijing (Spring 2009). Carrier's art criticism has been published in Artforum, ArtUS, The Burlington Magazine, and other journals.
His books include : High Art : Charles Baudelaire and the Origins of Modernist Painting (1996); The Aesthetics of Comics (2000); Rosalind Krauss and American Philosophical Art Criticism : From Formalism to beyond Postmodernism (2002); Writing About Visual Art (2003); Museum Skepticism : A History of the Display of Art in Public Galleries (2006); and A World Art History (forthcoming).
His books include : High Art : Charles Baudelaire and the Origins of Modernist Painting (1996); The Aesthetics of Comics (2000); Rosalind Krauss and American Philosophical Art Criticism : From Formalism to beyond Postmodernism (2002); Writing About Visual Art (2003); Museum Skepticism : A History of the Display of Art in Public Galleries (2006); and A World Art History (forthcoming).


