Hawkes Pocket Scores HPS 1468
Piano Concerto n° 2. HPS 1468. piano and orchestra. Partition d'étude.
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- Nombre de pages92
- Poids0.204 kg
- Dimensions18,5 cm × 26,0 cm × 0,0 cm
- ISBN978-0-85162-774-8
- EAN9780851627748
- Date de parution01/01/2012
- ÉditeurBOOSEY
Résumé
Originally a ballet score this 30' work is scored with strings and consists of three movements : "cumnock fair" : A 12-minute fantasy based on dance melodies by the 18th-century Cumnock composer John French. The moods range widely from playful, rustic, archaic, ungainly, dreamy, boisterous, stately, brutal and grotesque to mysterious and unnerving. "shambards'" : Memories of Burnsian folksong are interrupted by new dance tunes built on fragments from the Mad Scene from Act 3 of Donizetti's Lucia di Lammermoor, based on the novel by Walter Scott.
"shamnation". Low throbbing in the piano becomes a drumbeat to accompany a fast violin reel using three tunes and following a traditional 8-bar structure. The solo piano part emerges as a counterpoint to the Scottish themes after which the music winds its way through many different keys. Instrumentation : piano and orchestra
"shamnation". Low throbbing in the piano becomes a drumbeat to accompany a fast violin reel using three tunes and following a traditional 8-bar structure. The solo piano part emerges as a counterpoint to the Scottish themes after which the music winds its way through many different keys. Instrumentation : piano and orchestra
Originally a ballet score this 30' work is scored with strings and consists of three movements : "cumnock fair" : A 12-minute fantasy based on dance melodies by the 18th-century Cumnock composer John French. The moods range widely from playful, rustic, archaic, ungainly, dreamy, boisterous, stately, brutal and grotesque to mysterious and unnerving. "shambards'" : Memories of Burnsian folksong are interrupted by new dance tunes built on fragments from the Mad Scene from Act 3 of Donizetti's Lucia di Lammermoor, based on the novel by Walter Scott.
"shamnation". Low throbbing in the piano becomes a drumbeat to accompany a fast violin reel using three tunes and following a traditional 8-bar structure. The solo piano part emerges as a counterpoint to the Scottish themes after which the music winds its way through many different keys. Instrumentation : piano and orchestra
"shamnation". Low throbbing in the piano becomes a drumbeat to accompany a fast violin reel using three tunes and following a traditional 8-bar structure. The solo piano part emerges as a counterpoint to the Scottish themes after which the music winds its way through many different keys. Instrumentation : piano and orchestra