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Messe de Mort. Requiem. soloists, mixed choir (SATB) and orchestra. Partition d'étude.
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- Nombre de pages78
- Poids0.265 kg
- Dimensions19,0 cm × 26,5 cm × 0,0 cm
- ISBN3-7957-6907-8
- EAN9783795769079
- Date de parution01/01/2003
- CollectionPOCHE
- ÉditeurEulenburg
- EditeurJean-Paul Montagnier
Résumé
Campra's sacred music includes 5 books of petits motets, the polyphonic Missa ad Majorem Dei Gloriam, the Messe de mort, and a large number of grands motets. All these works demonstrate the composer's mastery of theatrical conventions - descriptive instrumental preludes and dramatically representative scenes are not uncommon - and their style is imbued with the worldly, fashionable Italianate spirit of the time.
The Messe de mort is today one of the more frequently performed of Campra's sacred works and it is also one of the most enigmatic scores of his entire output. The occasion of its commission and first performance are unknown. Montagnier, however, proposes the hypothesis that the Messe de mort was expressly composed for the memorial service for Philippe II duc d'Orléans (Campra's patron since 1697) who died at Versailles on 4 February 1723.
Instrumentation : soloists, mixed choir (SATB) and orchestra
The Messe de mort is today one of the more frequently performed of Campra's sacred works and it is also one of the most enigmatic scores of his entire output. The occasion of its commission and first performance are unknown. Montagnier, however, proposes the hypothesis that the Messe de mort was expressly composed for the memorial service for Philippe II duc d'Orléans (Campra's patron since 1697) who died at Versailles on 4 February 1723.
Instrumentation : soloists, mixed choir (SATB) and orchestra
L'éditeur en parle
Campra's Messe de Mort is one of the most famous choral masses of the French Baroque period. Frequently performed nowadays it is nevertheless one of the most enigmatic pieces of Campra's oeuvre, as the date of its creation, its origin, purpose and reception have been veiled in mystery. Montagnier makes a convincing case for the theory that it was composed in 1742 for a memorial service for Campra's patron and benefactor, Philippe II, duc d'Orléans.
Preface in English, German and French, text in Latin. Besetzung : soloists, mixed choir (SATB) and orchestra
Preface in English, German and French, text in Latin. Besetzung : soloists, mixed choir (SATB) and orchestra