Making sense of music. Studies in musical semiotics
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- Nombre de pages412
- PrésentationBroché
- Poids0.653 kg
- Dimensions16,0 cm × 24,0 cm × 0,0 cm
- ISBN978-2-87558-640-7
- EAN9782875586407
- Date de parution10/07/2018
- CollectionFloating Texts
- ÉditeurPU LOUVAIN
- EditeurCostantino Maeder
- EditeurMark Reybrouck
Résumé
Musical signification has been implicitly discussed for a long time in work on music. Only recently has it been established as an explicit discipline, focusing mainly on sense-making as a major constituent of signification and meaning. A number of questions are still pending. How does one deal with the tensions between an object-centered approach to music and a subjective, cognitive, and hermeneutic approach to musical sense-making ? Is there a distinction in content and methodology ? How can the objective and the subjective, the art-work and the receiver, the immanent meaning and the attributed meaning be brought together ? Making Sense of Music is an attempt to answer these questions through the insights of several diverging fields.
Revolving around the central concept of musical sense-making, this volume includes 31 contributions of scholars from 18 countries, which encompass semiotic musical analysis and phenomenological, hermeneutic, and/or cognitive approaches.
Revolving around the central concept of musical sense-making, this volume includes 31 contributions of scholars from 18 countries, which encompass semiotic musical analysis and phenomenological, hermeneutic, and/or cognitive approaches.
Musical signification has been implicitly discussed for a long time in work on music. Only recently has it been established as an explicit discipline, focusing mainly on sense-making as a major constituent of signification and meaning. A number of questions are still pending. How does one deal with the tensions between an object-centered approach to music and a subjective, cognitive, and hermeneutic approach to musical sense-making ? Is there a distinction in content and methodology ? How can the objective and the subjective, the art-work and the receiver, the immanent meaning and the attributed meaning be brought together ? Making Sense of Music is an attempt to answer these questions through the insights of several diverging fields.
Revolving around the central concept of musical sense-making, this volume includes 31 contributions of scholars from 18 countries, which encompass semiotic musical analysis and phenomenological, hermeneutic, and/or cognitive approaches.
Revolving around the central concept of musical sense-making, this volume includes 31 contributions of scholars from 18 countries, which encompass semiotic musical analysis and phenomenological, hermeneutic, and/or cognitive approaches.