Forget Me Knot
Grand Format
40,00 €
Let's See
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- PrésentationBroché
- FormatGrand Format
- Poids0.475 kg
- Dimensions15,0 cm × 19,8 cm × 2,2 cm
- ISBN978-3-96999-008-7
- EAN9783969990087
- Date de parution01/03/2022
- ÉditeurSteidl
Résumé
Let's See is a photo-novel of Dayanita Singh's earliest years as a photographer, a return to a time when she did not yet consider herself a photographer, the probing remembrance of "an eye I no longer have access to". Singh has recently poured through 40 years of her archive - 80% of which remains unseen - exploring scans of her contact sheets and being amazed by the gentle and tender images from the 1980s and '90s she had since forgotten - hostel roommates, friends with whom she lived, family, weddings, funerals ; portraits of herself and those who would become important characters in her life : her mother Nony Singh, Zakir Hussain, Mona Ahmed whom she depicted in the emotive visual biography Myself Mona Ahmed (2001).
Singh's first camera, a Pentax ME Super with a 50 mm lens, was a gift from the German publisher Ernst Battenberg (1927-92), and with it she "made photos of everything I could, trying to make a roll of film last as long as possible", creating contact sheets of all her images, but realizing the rare luxury of an individual print only for a publication or book project.
Singh's first camera, a Pentax ME Super with a 50 mm lens, was a gift from the German publisher Ernst Battenberg (1927-92), and with it she "made photos of everything I could, trying to make a roll of film last as long as possible", creating contact sheets of all her images, but realizing the rare luxury of an individual print only for a publication or book project.
Let's See is a photo-novel of Dayanita Singh's earliest years as a photographer, a return to a time when she did not yet consider herself a photographer, the probing remembrance of "an eye I no longer have access to". Singh has recently poured through 40 years of her archive - 80% of which remains unseen - exploring scans of her contact sheets and being amazed by the gentle and tender images from the 1980s and '90s she had since forgotten - hostel roommates, friends with whom she lived, family, weddings, funerals ; portraits of herself and those who would become important characters in her life : her mother Nony Singh, Zakir Hussain, Mona Ahmed whom she depicted in the emotive visual biography Myself Mona Ahmed (2001).
Singh's first camera, a Pentax ME Super with a 50 mm lens, was a gift from the German publisher Ernst Battenberg (1927-92), and with it she "made photos of everything I could, trying to make a roll of film last as long as possible", creating contact sheets of all her images, but realizing the rare luxury of an individual print only for a publication or book project.
Singh's first camera, a Pentax ME Super with a 50 mm lens, was a gift from the German publisher Ernst Battenberg (1927-92), and with it she "made photos of everything I could, trying to make a roll of film last as long as possible", creating contact sheets of all her images, but realizing the rare luxury of an individual print only for a publication or book project.
A propos de Dayanita Singh