Edition Schott
Kopflos (Affolé). Cycle de lieder d'après des poèmes bizarres d'Hermann Hesse. op. 108. voice and piano. moyenne.
Par : Formats :
- Paiement en ligne :
- Livraison à domicile ou en point Mondial Relay indisponible
- Retrait Click and Collect en magasin gratuit
- Réservation en ligne avec paiement en magasin :
- Indisponible pour réserver et payer en magasin
- Nombre de pages20
- Poids0.124 kg
- Dimensions23,1 cm × 30,3 cm × 0,0 cm
- ISBNM-001-13627-5
- EAN9790001136273
- Date de parution01/01/2004
- CollectionCHANT
- ÉditeurSchott
Résumé
Hummel wrote this song cycle in the last months of his life and called it his "swan-song". In the light of this, his selection of poems is highly unusual : the composer did not focus on qualities such as the wisdom of age and detachment from worldly affairs, but instead chose lines rich in scepticism and a mocking vein of humour ; this can be heard particularly in the last song, where we hear : "My dear boy, everything that people say is more or less a pack of lies...
" The music, which is delicately worked through in both the voice and piano parts, is vividly effective for performers and audience alike. Instrumentation : voice and piano op. 108
" The music, which is delicately worked through in both the voice and piano parts, is vividly effective for performers and audience alike. Instrumentation : voice and piano op. 108
Hummel wrote this song cycle in the last months of his life and called it his "swan-song". In the light of this, his selection of poems is highly unusual : the composer did not focus on qualities such as the wisdom of age and detachment from worldly affairs, but instead chose lines rich in scepticism and a mocking vein of humour ; this can be heard particularly in the last song, where we hear : "My dear boy, everything that people say is more or less a pack of lies...
" The music, which is delicately worked through in both the voice and piano parts, is vividly effective for performers and audience alike. Instrumentation : voice and piano op. 108
" The music, which is delicately worked through in both the voice and piano parts, is vividly effective for performers and audience alike. Instrumentation : voice and piano op. 108