Luigi Collarile teaches History of Church Music at the Bern University of the Arts and is currently research fellow at the Schola Cantorum Basiliensis (Basel). He studied in Padua, Basel and Fribourg (Ph.D. 2010). He was research fellow and visiting professor at the Universities of Basel, Rome Tor Vergata, Geneva and Venice. His publications cover different research areas : European sacred music ; the musical life of early modern Venice ; the soundscape of early modern Italy ; music printing and publishing and Renaissance music theory.
He is a member of the editorial board of the Istituto Italiano per la Storia della Musica (Rome) and the scientific journal L'Organo (Bologna). Maria Rosa De Luca is Associate Professor in Musicology and History of Music in the Department of Humanities at the Università di Catania, where she presides over the master's degree `Communication of Culture and Performing Arts'. Her research activity involves, above all, the history of music interpreted through the lens of social history and historical soundscape studies.
Among her publications are the two monographs,Musica e cultura urbana nel Settecento a Catania (2012) and Gli spazi del talento. Primizie musicali del giovane Bellini (2020), and the volume Un veneziano in Europa. Teatro e musica pelle carte di Giovanni Battista Perucchini (2019). She is a member of the Editorial Board of Musica Docta and of the Executive Board of Bollettino di studi belliniani.
He is a member of the editorial board of the Istituto Italiano per la Storia della Musica (Rome) and the scientific journal L'Organo (Bologna). Maria Rosa De Luca is Associate Professor in Musicology and History of Music in the Department of Humanities at the Università di Catania, where she presides over the master's degree `Communication of Culture and Performing Arts'. Her research activity involves, above all, the history of music interpreted through the lens of social history and historical soundscape studies.
Among her publications are the two monographs,Musica e cultura urbana nel Settecento a Catania (2012) and Gli spazi del talento. Primizie musicali del giovane Bellini (2020), and the volume Un veneziano in Europa. Teatro e musica pelle carte di Giovanni Battista Perucchini (2019). She is a member of the Editorial Board of Musica Docta and of the Executive Board of Bollettino di studi belliniani.
