About the authors : Camille Fremontier, PhD in History and Civilisations, EHESS, Paris, is co-director of the RCM Galerie, Paris, whose exhibition program explores the relationship between art and science in the second half of the twentieth century. Annikki Luukela, former assistant in Frank Malina's studio, became one of Finland's first light artists, creating light sculptures, holograms, light visualizations for dance performances, and "light spaces" that combine light and sound.
Roger Malina, served for many years as executive editor of the Leonardo publications at MIT Press. He is an associate director of arts and technology at the University of Texas, Dallas. Frank Popper was a historian of art and technology and professor at the University of Paris VIII. He is author of Origins and Development of Kinetic Art (Studio Vista and New York Graphic Society, 1968), and From Technological to Virtual Art (Leonardo Books, MIT Press, 2006).
Margit Rosen is an art historian and curator. In 2016, she established the department "Collection, Archives & Research" at the ZKM Centre for Art and Media in Karlsruhe, which she has headed since then. She is the editor of A Little-Known Story about a Movement, a Magazine, and the Computer's Arrival in Art : New Tendencies and Bit International, 1961-1973 (MIT Press, 2011).
Roger Malina, served for many years as executive editor of the Leonardo publications at MIT Press. He is an associate director of arts and technology at the University of Texas, Dallas. Frank Popper was a historian of art and technology and professor at the University of Paris VIII. He is author of Origins and Development of Kinetic Art (Studio Vista and New York Graphic Society, 1968), and From Technological to Virtual Art (Leonardo Books, MIT Press, 2006).
Margit Rosen is an art historian and curator. In 2016, she established the department "Collection, Archives & Research" at the ZKM Centre for Art and Media in Karlsruhe, which she has headed since then. She is the editor of A Little-Known Story about a Movement, a Magazine, and the Computer's Arrival in Art : New Tendencies and Bit International, 1961-1973 (MIT Press, 2011).