Encounters Virtual Feminist Museum - Time, space and the archive - Grand Format

Edition en anglais

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Continuing her feminist reconceptualisation of the ways we can experience and study the visual arts, world-renowned art historian and cultural analyst... Lire la suite
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Résumé

Continuing her feminist reconceptualisation of the ways we can experience and study the visual arts, world-renowned art historian and cultural analyst Griselda Pollock proposes a series of new encounters through virtual exhibitions with art made by women over the twentieth century. Challenging the dominant museum models of art and history that have been so exclusive of women's artistic contributions to the twentieth century, the virtual feminist museum stages some of the complex relations between femininity, modernity and representation.
Griselda Pollock draws on the models of both Aby Warburg's Mnemosyne Atlas and Freud's private museum of antiquities as well as Ettinger's concept of subjectivity as encounter to propose a differencing journey through time, space and archive. Featuring studies of Canova's The Three Graces and women artists' modernist reclamations of the female body, the book traverses the rupture of fascism and the Holocaust and ponders the significance of painting and drawing in their aftermath.
Artists featured include Georgia O'Keeffe, Josephine Baker, Gluck, Charlotte Salomon, Bracha Ettinger and Christine Taylor Patten.

Caractéristiques

  • Date de parution
    22/11/2007
  • Editeur
  • ISBN
    978-0-415-41374-9
  • EAN
    9780415413749
  • Format
    Grand Format
  • Présentation
    Broché
  • Nb. de pages
    262 pages
  • Poids
    0.495 Kg
  • Dimensions
    16,8 cm × 24,4 cm × 1,5 cm

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À propos de l'auteur

Biographie de Griselda Pollock

Griselda Pollock is Professor of Social and Critical Histories of Art and Director of the Centre for Cultural Analysis, Theory and History at the University of Leeds. A world-renowned scholar of international, postcolonial feminist studies in the visual arts, she is best known for her theoretical and methodological innovation, combined with deeply engaged readings of historical and contemporary art, film and cultural theory.

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