Caliban N° 55/2016
La planète en partage
Grand Format
22,00 €
Drama, narrative and poetry in the Canterbury Tales
Par :Formats :
Définitivement indisponible
Cet article ne peut plus être commandé sur notre site (ouvrage épuisé ou plus commercialisé). Il se peut néanmoins que l'éditeur imprime une nouvelle édition de cet ouvrage à l'avenir. Nous vous invitons donc à revenir périodiquement sur notre site.
- Réservation en ligne avec paiement en magasin :
- Indisponible pour réserver et payer en magasin
- Nombre de pages246
- PrésentationBroché
- Poids0.32 kg
- Dimensions13,5 cm × 22,0 cm × 1,3 cm
- ISBN2-85816-705-2
- EAN9782858167050
- Date de parution01/10/2003
- CollectionInterlangues - Littératures
- ÉditeurPresses Universitaires Mirail
Résumé
How is Chaucer's Canterbury Tales best read? Should we follow Kittredge in treating the work as drama, imagining the tales as theatrical scripts defining the characters to whom they are attributed? Or should we follow Muscatine in emphasizing their poetry, studying their intertextuality and admiring the stylistic innovations that Chaucer employs in adapting his sources? Or should the tales be read as independent narratives framed by a meta-textual Prologue and links? Some of the most renowned medievalists from Europe and America review these critical stances, bringing out their differences and their points of contact. Part One of the volume addresses these aesthetic questions in terms of the Canterbury Tales in general. The articles in Part Two explore some of the best known tales.
How is Chaucer's Canterbury Tales best read? Should we follow Kittredge in treating the work as drama, imagining the tales as theatrical scripts defining the characters to whom they are attributed? Or should we follow Muscatine in emphasizing their poetry, studying their intertextuality and admiring the stylistic innovations that Chaucer employs in adapting his sources? Or should the tales be read as independent narratives framed by a meta-textual Prologue and links? Some of the most renowned medievalists from Europe and America review these critical stances, bringing out their differences and their points of contact. Part One of the volume addresses these aesthetic questions in terms of the Canterbury Tales in general. The articles in Part Two explore some of the best known tales.
