SOLDES

Jusqu'à -70% sur une sélection d'articles*

Creativity and the Global Knowledge Economy

Par : Michael a. Peters, Peter Murphy, Simon Marginson
Nous vous prions de nous excuser mais rencontrons momentanément des soucis d'approvisionnement. C’est le moment de vous laisser tenter par nos livres numériques et notre offre occasion.
  • Paiement en ligne :
    • Livraison à domicile ou en point Mondial Relay estimée à partir du 13 novembre
      Cet article sera commandé chez un fournisseur et vous sera envoyé 127 jours après la date de votre commande.
    • Retrait Click and Collect en magasin gratuit
  • Réservation en ligne avec paiement en magasin :
    • Indisponible pour réserver et payer en magasin
  • Nombre de pages289
  • ISBN978-1-4331-0425-1
  • EAN9781433104251
  • Date de parution01/12/2008
  • ÉditeurPeter Lang

Résumé

This is a major work by three international scholars at the cutting edge of new research that investigates the emerging set of complex relationships between creativity, design, research, higher education and knowledge capitalism. It highlights the role of the creative and expressive arts, of performance, of aesthetics in general, and the significant role of design as an underlying infrastructure for the creative economy.
This book tracks the most recent mutation of these serial shifts – from postindustrial economy to the information economy to the digital economy to the knowledge economy to the ‘creative economy' – to summarize the underlying and essential trends in knowledge capitalism and to investigate post-market notions of open source public space. The book hypothesizes that creative economy might constitute an enlargement of its predecessors that not only democratizes creativity and relativizes intellectual property law, but also emphasizes the social conditions of creative work.
It documents how these profound shifts have brought to the forefront forms of knowledge production based on the commons and driven by ideas, not profitability per se ; and have given rise to the notion of not just ‘knowledge management' but the design of ‘creative institutions' embodying new patterns of work.