Contending Representations. Volume 2, Entangled Republican Spaces in Early Modern Venice
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- Nombre de pages192
- PrésentationRelié
- FormatBeau Livre
- Poids1.1 kg
- Dimensions22,0 cm × 29,0 cm × 1,5 cm
- ISBN978-2-503-60519-7
- EAN9782503605197
- Date de parution01/01/2024
- CollectionDunamis
- ÉditeurBrepols
Résumé
This book addresses the issue of political celebration in early modern Venice. Dealing with processional orders and iconographic programs, historiographical narratives and urbanistic canons, stylistic features and diplomatic accounts, the interdisciplinary contributions gathered in these pages aim to question the performative effectiveness and the social consistency of the so-called 'myth' of Venice : a system of symbols, beliefs and meanings offering a self-portrait of the ruling elite, the Venetian patriciate.
In order to do so, the volume calls for a spatial turn in Venetian studies, blurring the boundaries between institutionalized and unofficial ceremonial spaces and considering their ongoing interaction in representing the rule of the Serenissima. The twelve chapters move from the Ducal Palace to the Venetian streets and from the city of Venice to its dominions, thus widening considerably the range of social and political actors and audiences involved in the analysis.
Such multifocal perspective allows us to challenge the very idea of a single 'myth' of Venice.
In order to do so, the volume calls for a spatial turn in Venetian studies, blurring the boundaries between institutionalized and unofficial ceremonial spaces and considering their ongoing interaction in representing the rule of the Serenissima. The twelve chapters move from the Ducal Palace to the Venetian streets and from the city of Venice to its dominions, thus widening considerably the range of social and political actors and audiences involved in the analysis.
Such multifocal perspective allows us to challenge the very idea of a single 'myth' of Venice.
This book addresses the issue of political celebration in early modern Venice. Dealing with processional orders and iconographic programs, historiographical narratives and urbanistic canons, stylistic features and diplomatic accounts, the interdisciplinary contributions gathered in these pages aim to question the performative effectiveness and the social consistency of the so-called 'myth' of Venice : a system of symbols, beliefs and meanings offering a self-portrait of the ruling elite, the Venetian patriciate.
In order to do so, the volume calls for a spatial turn in Venetian studies, blurring the boundaries between institutionalized and unofficial ceremonial spaces and considering their ongoing interaction in representing the rule of the Serenissima. The twelve chapters move from the Ducal Palace to the Venetian streets and from the city of Venice to its dominions, thus widening considerably the range of social and political actors and audiences involved in the analysis.
Such multifocal perspective allows us to challenge the very idea of a single 'myth' of Venice.
In order to do so, the volume calls for a spatial turn in Venetian studies, blurring the boundaries between institutionalized and unofficial ceremonial spaces and considering their ongoing interaction in representing the rule of the Serenissima. The twelve chapters move from the Ducal Palace to the Venetian streets and from the city of Venice to its dominions, thus widening considerably the range of social and political actors and audiences involved in the analysis.
Such multifocal perspective allows us to challenge the very idea of a single 'myth' of Venice.