Ars Habsburgica. New Perspectives on Sixteeth-Century Art

Par : Fernando Checa, Miguel Angel Zalama
Formats :
Grand Format
120,10 €
  • Paiement en ligne :
    • Livraison à domicile ou en point Mondial Relay estimée à partir du 21 septembre
      Cet article sera commandé chez un fournisseur et vous sera envoyé 23 jours après la date de votre commande.
    • Retrait Click and Collect en magasin gratuit
  • Nombre de pages267
  • FormatGrand Format
  • PrésentationBroché
  • Poids0.585 kg
  • Dimensions16,0 cm × 23,5 cm × 2,0 cm
  • ISBN978-2-503-59594-8
  • EAN9782503595948
  • Date de parution01/01/2023
  • CollectionHasburg Worlds
  • ÉditeurBrepols

Résumé

Starting from a political reality, which is, at the same time, artistic and cultural, the book Ars Hasburgica aims to review the still so common historiographical conception of the Renaissance that conceives this period from a geographically Italocentric, artistically classicist and politically centered idea of "national" arts and schools. But the Renaissance is a more global and complex phenomenon.
What this book aims to offer is an idea of the art of that period that considers the role played by the Habsburg dynasty and its various courts in this time, trying to verify whether, by applying other historiographic models, and having the art of the Casa de Austria as a focus, traditional ideas can continue to be maintained well into the twenty-first century. We refer to the so-called "Vasari paradigm", on which art history of the sixteenth century has largely been built over the last centuries.
It is also intended to structure concepts about the art of the period not so much around nationalist considerations and identities of the arts, but to raise these issues throughout ideas such as that of the court as a political, artistic and cultural sphere, in the wake of the classical studies by Norbert Elias, Amedeo Quondam or Carlo Ossola.

A propos de Fernando Checa

Fernando Checa, professor of Art History at the Complutense University of Madrid. He has been Director of the Museo Nacional del Prado (1996-2001) and was awarded with the National Prize of the History of Spain (1993). Curator of exhibitions about the House of Austria in Madrid, Vienna, Paris, Ghent, Brussels, Toledo and Puebla de los Angeles (Mexico). Paul Mellon Senior Fellow at CASVA (Washington) and Visiting Professor at the Université de Geneve (Switzerland) and Oklahoma State.
Miguel Angel Zalama, professor and director of the Department of Art History at the University of Valladolid (Spain), and director of the Tordesillas Center for Relations with Latin America. After his doctorate, he moved to the Institute of Fine Arts at New York University, where he worked with Jonathan Brown. Researcher at the University of La Sapienza, Rome, he has been visiting professor at the Université Catholique de l'Ouest, Angers (France), and at the University of Monterrey (Mexico).
Découvrir l'auteur