Write Great Dialogue - How to write convincing dialogue, conversation and dialect in your fiction - E-book - ePub

Edition en anglais

Note moyenne 
LEARN HOW TO WRITE CONVINCING AND COMPELLING DIALOGUE. Commissioning editors say good dialogue is one of the first things that make a book stand out from... Lire la suite
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Résumé

LEARN HOW TO WRITE CONVINCING AND COMPELLING DIALOGUE. Commissioning editors say good dialogue is one of the first things that make a book stand out from the crowd - and similarly, that clunky direct speech is one of the first things that will send a book straight from the slushpile to the rejections bin. But while many other aspects of writing are pored over in intense detail, there have been very few books on the art of writing successful dialogue.
In this practical guide for aspiring writers of all levels, Irving Weinman, himself a published writer and well-known creative writing tutor, uses case studies to help you explore how to write good dialogue, and gives you a range of fun and challenging exercises that will help you to write great dialogue. ABOUT THE SERIESThe Teach Yourself Creative Writing series helps aspiring authors tell their story.
Covering a range of genres from science fiction and romantic novels, to illustrated children's books and comedy, this series is packed with advice, exercises and tips for unlocking creativity and improving your writing. And because we know how daunting the blank page can be, we set up the Just Write online community at tyjustwrite, for budding authors and successful writers to connect and share.

Caractéristiques

  • Date de parution
    22/01/2019
  • Editeur
  • ISBN
    978-1-4736-8852-0
  • EAN
    9781473688520
  • Format
    ePub
  • Caractéristiques du format ePub
    • Protection num.
      Contenu protégé

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À propos de l'auteur

Biographie d'Irving Weinman

Irving Weinman was an American author who wrote 6 published books, including character thrillers filled with action large and small. He wrote reviews for major US and British publications, including the NY Times Book Review, and taught/led fiction workshops in English and US universities. He was Chair of the Poets' Workshop at the British Poetry Society, and was the founder and Executive Director of the Key West Writers' Workshop.

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