SOLDES
Jusqu'à -70% sur une sélection d'articles*
What We See When We Read
Par :Formats :
Disponible dans votre compte client Decitre ou Furet du Nord dès validation de votre commande. Le format ePub protégé est :
- Compatible avec une lecture sur My Vivlio (smartphone, tablette, ordinateur)
- Compatible avec une lecture sur liseuses Vivlio
- Pour les liseuses autres que Vivlio, vous devez utiliser le logiciel Adobe Digital Edition. Non compatible avec la lecture sur les liseuses Kindle, Remarkable et Sony
- Non compatible avec un achat hors France métropolitaine
, qui est-ce ?Notre partenaire de plateforme de lecture numérique où vous retrouverez l'ensemble de vos ebooks gratuitement
Pour en savoir plus sur nos ebooks, consultez notre aide en ligne ici
- Nombre de pages464
- FormatePub
- ISBN978-0-8041-7164-9
- EAN9780804171649
- Date de parution05/08/2014
- Protection num.Adobe DRM
- Taille30 Mo
- Infos supplémentairesepub
- ÉditeurVintage
Résumé
A gorgeously unique, fully illustrated exploration into the phenomenology of reading-how we visualize images from reading works of literature, from one of our very best book jacket designers, himself a passionate reader."A playful, illustrated treatise on how words give rise to mental images." -The New York TimesWhat do we see when we read? Did Tolstoy really describe Anna Karenina? Did Melville ever really tell us what, exactly, Ishmael looked like? The collection of fragmented images on a page-a graceful ear there, a stray curl, a hat positioned just so-and other clues and signifiers helps us to create an image of a character.
But in fact our sense that we know a character intimately has little to do with our ability to concretely picture our beloved-or reviled-literary figures. In this remarkable work of nonfiction, Knopf's Associate Art Director Peter Mendelsund combines his profession, as an award-winning designer; his first career, as a classically trained pianist; and his first love, literature-he considers himself first and foremost as a reader-into what is sure to be one of the most provocative and unusual investigations into how we understand the act of reading.
But in fact our sense that we know a character intimately has little to do with our ability to concretely picture our beloved-or reviled-literary figures. In this remarkable work of nonfiction, Knopf's Associate Art Director Peter Mendelsund combines his profession, as an award-winning designer; his first career, as a classically trained pianist; and his first love, literature-he considers himself first and foremost as a reader-into what is sure to be one of the most provocative and unusual investigations into how we understand the act of reading.






