OFFRE LISEUSES
Une liseuse achetée = une housse offerte* jusqu'au 21 juin
What Comes Back. Unpublished, #1
Par :Formats :
Disponible dans votre compte client Decitre ou Furet du Nord dès validation de votre commande. Le format ePub est :
- Compatible avec une lecture sur My Vivlio (smartphone, tablette, ordinateur)
- Compatible avec une lecture sur liseuses Vivlio
- Pour les liseuses autres que Vivlio, vous devez utiliser le logiciel Adobe Digital Edition. Non compatible avec la lecture sur les liseuses Kindle, Remarkable et Sony
, qui est-ce ?Notre partenaire de plateforme de lecture numérique où vous retrouverez l'ensemble de vos ebooks gratuitement
Pour en savoir plus sur nos ebooks, consultez notre aide en ligne ici
C'est si simple ! Lisez votre ebook avec l'app Vivlio sur votre tablette, mobile ou ordinateur :
- FormatePub
- ISBN8233023880
- EAN9798233023880
- Date de parution31/01/2026
- Protection num.pas de protection
- Infos supplémentairesepub
- ÉditeurLinda Balsamo
Résumé
After returning from a war zone, photographer Nick Randall unpacks more than his equipment. In a quiet apartment far from the front lines, he sorts through film, notebooks, and the small artifacts of an assignment that refuses to stay contained. Film canisters hold images he hasn't yet faced. Contact sheets wait to be made. And memories surface - not only of what he photographed, but of what he chose not to take.
What Comes Back is a restrained, literary short story about the ethics of looking, the burden of witnessing, and the moments that linger long after the camera is lowered. Told through the physical rituals of analog photography, it explores how images are chosen, how meaning is assigned, and how the act of seeing can implicate the one who records it. This story stands alongside Contact Sheets and Unpublished as part of an interconnected series following Nick Randall as he navigates the uneasy space between documentation and conscience.
Approximate length: 3, 000 words.
What Comes Back is a restrained, literary short story about the ethics of looking, the burden of witnessing, and the moments that linger long after the camera is lowered. Told through the physical rituals of analog photography, it explores how images are chosen, how meaning is assigned, and how the act of seeing can implicate the one who records it. This story stands alongside Contact Sheets and Unpublished as part of an interconnected series following Nick Randall as he navigates the uneasy space between documentation and conscience.
Approximate length: 3, 000 words.
