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  • Nombre de pages128
  • FormatePub
  • ISBN978-1-909208-63-6
  • EAN9781909208636
  • Date de parution02/08/2018
  • Protection num.Adobe DRM
  • Taille2 Mo
  • Infos supplémentairesepub
  • ÉditeurArachne Press

Résumé

In Collaboration with Liars League. A celebration of the centenary of women in the UK getting the vote. Stories about women by women, which have been performed at one of Liars' League's events in London, Hong Kong, New York or Portland, Everything from fantasy and historical through magic realism to SF and humour.
Rosalind Stopps lives and works in South East London, which provides endless inspiration. She has an MA in Creative Writing from Lancaster University and is currently working on her third novel. Rosalind's story for London Lies, The Suitcase was originally read at Liars' League in April 2009 as part of the Bridge & Tunnel evening. She has two stories in Stations: How to Grow Old in Brockley is set in Brockley and pays homage to that classic tale of Love and Trains: Brief Encounter. Recipes for a Successful Working Life is set at Norwood Junction and is a tale of work-place bullying and pizza ovens. and two stories in Lovers' Lies, How to Survive the Olympics with a Broken Heart, and Monsieur Fromage. Cherry Potts is the Director of Arachne Press, for whom she is editor of almost all our anthologies and runs the Annual Solstice Shorts Festival. Cherry is the author of an epic fantasy novel, two collections of short stories, a photographic diary of a community opera, and has had many stories in anthologies, magazines and online.
Her novel of sibling hatred in the 1920s, The Bog Mermaid, won the Quill LGBTQ+ Prose prize 2022. Katy Darby co-runs Liars' League (www.liarsleague.com) and teaches Short Story Writing and Novel Writing at City University, London. Her first novel, The Whores' Asylum, was published by Penguin in February 2012. Her personal website is www.katydarby.com. Katy is the co-editor of our Liars' League anthologies, London Lies, Lovers' Lies, (award winning) Weird Lies and We/She