W-3 - A Memoir - E-book - ePub

Edition en anglais

Note moyenne 
Bette Howland et Yiyun Li - W-3 - A Memoir.
'Dazzlingly and daringly written' Rachel Cooke, ObserverW-3 is a small psychiatric ward in a large university hospital, a world of pills and passes dispensed... Lire la suite
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Résumé

'Dazzlingly and daringly written' Rachel Cooke, ObserverW-3 is a small psychiatric ward in a large university hospital, a world of pills and passes dispensed by an all-powerful staff, a world of veteran patients with grab-bags of tricks, a world of dishevelled, moment-to-moment existence on the edge of permanence. Bette Howland was one of those patients. In 1968, Howland was thirty-one, a single mother of two young sons, struggling to support her family on the part-time salary of a librarian; and labouring day and night at her typewriter to be a writer.
One afternoon, while staying at her friend Saul Bellow's apartment, she swallowed a bottle of pills. W-3 is a vivid - and often surprisingly funny - portrait of the extraordinary community of Ward 3 and a record of a defining moment in a writer's life. The book itself would be her salvation: she wrote herself out of the grave. Originally published in 1974 and rediscovered forty years later, this is the first edition of W-3 to be published in the UK.
With an original introduction by Yiyun Li, author of Where Reasons End.'W-3 is one hell of a debut' Lucy Scholes, Paris Review'Howland is finally getting the recognition that she deserves' Sarah Hughes, iNews

Caractéristiques

  • Date de parution
    24/06/2021
  • Editeur
  • ISBN
    978-1-5290-3593-3
  • EAN
    9781529035933
  • Format
    ePub
  • Caractéristiques du format ePub
    • Protection num.
      Contenu protégé

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À propos des auteurs

Bette Howland (1937-2017) was the author of three books: W-3, Blue in Chicago, and Things to Come and Go. She received a MacArthur Fellowship in 1984, after which though she continued writing she would not publish another book. Near the end of her life, her stories found new readers when a portfolio of her work appeared in a special issue of A Public Space magazine exploring a generation of women writers, their lifetimes of work, and questions of anonymity and public attention in art.

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