True Stories of History and Biography
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- Nombre de pages470
- FormatePub
- ISBN978-3-7364-1506-5
- EAN9783736415065
- Date de parution09/09/2016
- Protection num.Digital Watermarking
- Taille658 Ko
- Infos supplémentairesepub
- ÉditeurAndhof
Résumé
In writing this ponderous tome, the author's desire has been to describe the eminent characters and remarkable events of our annals, in such a form and style, that the YOUNG might make acquaintance with them of their own accord. For this purpose, while ostensibly relating the adventures of a Chair, he has endeavored to keep a distinct and unbroken thread of authentic history. The Chair is made to pass from one to another of those personages, of whom he thought it most desirable for the young reader to have vivid and familiar ideas, and whose lives and actions would best enable him to give picturesque sketches of the times.
On its sturdy oaken legs, it trudges diligently from one scene to another, and seems always to thrust itself in the way, with most benign complacency, whenever a historical personage happens to be looking round for a seat. There is certainly no method, by which the shadowy outlines of departed men and women can he made to assume the hues of life more effectually, than by connecting their images with the substantial and homely reality of a fireside chair.
It causes us to feel at once, that these characters of history had a private and familiar existence, and were not wholly contained within that cold array of outward action, which we are compelled to receive as the adequate representation of their lives. If this impression can be given, much is accomplished...
On its sturdy oaken legs, it trudges diligently from one scene to another, and seems always to thrust itself in the way, with most benign complacency, whenever a historical personage happens to be looking round for a seat. There is certainly no method, by which the shadowy outlines of departed men and women can he made to assume the hues of life more effectually, than by connecting their images with the substantial and homely reality of a fireside chair.
It causes us to feel at once, that these characters of history had a private and familiar existence, and were not wholly contained within that cold array of outward action, which we are compelled to receive as the adequate representation of their lives. If this impression can be given, much is accomplished...
In writing this ponderous tome, the author's desire has been to describe the eminent characters and remarkable events of our annals, in such a form and style, that the YOUNG might make acquaintance with them of their own accord. For this purpose, while ostensibly relating the adventures of a Chair, he has endeavored to keep a distinct and unbroken thread of authentic history. The Chair is made to pass from one to another of those personages, of whom he thought it most desirable for the young reader to have vivid and familiar ideas, and whose lives and actions would best enable him to give picturesque sketches of the times.
On its sturdy oaken legs, it trudges diligently from one scene to another, and seems always to thrust itself in the way, with most benign complacency, whenever a historical personage happens to be looking round for a seat. There is certainly no method, by which the shadowy outlines of departed men and women can he made to assume the hues of life more effectually, than by connecting their images with the substantial and homely reality of a fireside chair.
It causes us to feel at once, that these characters of history had a private and familiar existence, and were not wholly contained within that cold array of outward action, which we are compelled to receive as the adequate representation of their lives. If this impression can be given, much is accomplished...
On its sturdy oaken legs, it trudges diligently from one scene to another, and seems always to thrust itself in the way, with most benign complacency, whenever a historical personage happens to be looking round for a seat. There is certainly no method, by which the shadowy outlines of departed men and women can he made to assume the hues of life more effectually, than by connecting their images with the substantial and homely reality of a fireside chair.
It causes us to feel at once, that these characters of history had a private and familiar existence, and were not wholly contained within that cold array of outward action, which we are compelled to receive as the adequate representation of their lives. If this impression can be given, much is accomplished...