Felix Wo?rner is a research associate and Lecturer in the Music Department of the University of Basel and serves as co-editor of the Zeitschrift der Gesellschaft fu?r Musiktheorie.
Ullrich Scheideler is Head of Music Theory at Humboldt-University in Berlin and a former editor of the Arnold Schoenberg Critical Edition.
Philip Rupprecht is Professor of Music at Duke University. He is the author of British Musical Modernism: the Manchester Group and their Contemporaries and editor of Rethinking Britten.
Tonality Since 1950
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- Nombre de pages345
- FormatPDF
- ISBN978-3-515-11589-6
- EAN9783515115896
- Date de parution24/03/2017
- Protection num.Digital Watermarking
- Taille55 Mo
- Infos supplémentairespdf
- ÉditeurFranz Steiner
Résumé
Tonality Since 1950 documents the debate of one of the most basic technical and artistic resources of music in the later 20th century. The flourishing of tonality - a return to key, pitch center, and consonance - in recent decades has undermined the common belief of its disintegration or collapse ca. 1910, intensifying the discussion of music's acoustical-theoretical bases, and of its broader cultural and metaphysical meanings.
While historians of 20th-century music have often marginalized tonal practices, the present volume offers a new perspective on emergent historical continuities. Musicians as diverse as Hindemith, the Beatles, Reich, and Saariaho have approached tonality from many different angles: as a figure of nostalgic longing, or as a universal law; as a quoted artefact of music's sedimented stylistic past, or as a timeless harmonic resource.
Essays by 15 leading researchers cover a wide repertoire of concert and pop/rock music composed in Europe and America over the past half-century.
While historians of 20th-century music have often marginalized tonal practices, the present volume offers a new perspective on emergent historical continuities. Musicians as diverse as Hindemith, the Beatles, Reich, and Saariaho have approached tonality from many different angles: as a figure of nostalgic longing, or as a universal law; as a quoted artefact of music's sedimented stylistic past, or as a timeless harmonic resource.
Essays by 15 leading researchers cover a wide repertoire of concert and pop/rock music composed in Europe and America over the past half-century.
