Tonality Since 1950
Par : , ,Formats :
Disponible dans votre compte client Decitre ou Furet du Nord dès validation de votre commande. Le format PDF est :
- Compatible avec une lecture sur My Vivlio (smartphone, tablette, ordinateur)
- Compatible avec une lecture sur liseuses Vivlio
- Pour les liseuses autres que Vivlio, vous devez utiliser le logiciel Adobe Digital Edition. Non compatible avec la lecture sur les liseuses Kindle, Remarkable et Sony
, qui est-ce ?Notre partenaire de plateforme de lecture numérique où vous retrouverez l'ensemble de vos ebooks gratuitement
Pour en savoir plus sur nos ebooks, consultez notre aide en ligne ici
C'est si simple ! Lisez votre ebook avec l'app Vivlio sur votre tablette, mobile ou ordinateur :
- Nombre de pages345
- FormatPDF
- ISBN978-3-515-11589-6
- EAN9783515115896
- Date de parution24/03/2017
- Protection num.Digital Watermarking
- Taille55 Mo
- Infos supplémentairespdf
- ÉditeurFranz Steiner
Résumé
Tonality Since 1950 documents the debate of one of the most basic technical and artistic resources of music in the later 20th century. The flourishing of tonality - a return to key, pitch center, and consonance - in recent decades has undermined the common belief of its disintegration or collapse ca. 1910, intensifying the discussion of music's acoustical-theoretical bases, and of its broader cultural and metaphysical meanings.
While historians of 20th-century music have often marginalized tonal practices, the present volume offers a new perspective on emergent historical continuities. Musicians as diverse as Hindemith, the Beatles, Reich, and Saariaho have approached tonality from many different angles: as a figure of nostalgic longing, or as a universal law; as a quoted artefact of music's sedimented stylistic past, or as a timeless harmonic resource.
Essays by 15 leading researchers cover a wide repertoire of concert and pop/rock music composed in Europe and America over the past half-century.
While historians of 20th-century music have often marginalized tonal practices, the present volume offers a new perspective on emergent historical continuities. Musicians as diverse as Hindemith, the Beatles, Reich, and Saariaho have approached tonality from many different angles: as a figure of nostalgic longing, or as a universal law; as a quoted artefact of music's sedimented stylistic past, or as a timeless harmonic resource.
Essays by 15 leading researchers cover a wide repertoire of concert and pop/rock music composed in Europe and America over the past half-century.
