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The Girl the City Feared: A City of Taken Things. Young Adult Fiction, #1
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- FormatePub
- ISBN8235373310
- EAN9798235373310
- Date de parution29/04/2026
- Protection num.pas de protection
- Infos supplémentairesepub
- ÉditeurIoakim Ioakim
Résumé
In a walled city where emotions are harvested as fuel and feeling too much is a death sentence, seventeen-year-old Sera Voss has spent eight years perfecting the art of numbness. She manages a compound of unregistered citizens, keeps her resonance dangerously low in the Collectors' instruments, and carries a fury so carefully controlled it has become her compass. Then she discovers that her sister, taken three years ago, is not dead but imprisoned in the Vaulthouse's Resonance Archive, kept alive and amplified to generate power for the city's grid.
And she discovers the boy who reported her sister is now the only person who can help her get inside. What unfolds is a story of impossible alliances, of learning to feel openly in a world designed to suppress feeling, and of two people discovering that the Accord's greatest weakness is the same thing it tried to weaponize: genuine human connection. Dyadic resonance cannot be manufactured. It can only be felt.
Across the city, in the crumbling Bellecourt Hotel, other people are learning their own lessons about survival, witness, and what it means to be seen by another person. Mara is learning to stop performing stability. Yusuf is learning that opening a restaurant is an act of resistance. Okafor is learning that some cases deserve to be incomplete. And in the spaces between their separate stories, the city itself begins to wake.
The Girl the City Feared is a novel about fury and its proper management, about complicity and redemption, about the people who build resistance in the margins and margins that become the center. It is about learning that the systems designed to control us contain, within their very infrastructure, the seeds of their own undoing. Perfect for readers who love: High-concept dystopian worlds with emotional depth Protagonists defined by controlled fury and strategic planning Slow-burn romance built on genuine understanding and earned trust Themes of resistance, surveillance, and what it means to reclaim your own feeling Interwoven narratives that build toward a singular truth Moral complexity; characters who are both complicit and heroic Worlds where emotion itself is political Stories about witness and the revolutionary power of being truly seen
And she discovers the boy who reported her sister is now the only person who can help her get inside. What unfolds is a story of impossible alliances, of learning to feel openly in a world designed to suppress feeling, and of two people discovering that the Accord's greatest weakness is the same thing it tried to weaponize: genuine human connection. Dyadic resonance cannot be manufactured. It can only be felt.
Across the city, in the crumbling Bellecourt Hotel, other people are learning their own lessons about survival, witness, and what it means to be seen by another person. Mara is learning to stop performing stability. Yusuf is learning that opening a restaurant is an act of resistance. Okafor is learning that some cases deserve to be incomplete. And in the spaces between their separate stories, the city itself begins to wake.
The Girl the City Feared is a novel about fury and its proper management, about complicity and redemption, about the people who build resistance in the margins and margins that become the center. It is about learning that the systems designed to control us contain, within their very infrastructure, the seeds of their own undoing. Perfect for readers who love: High-concept dystopian worlds with emotional depth Protagonists defined by controlled fury and strategic planning Slow-burn romance built on genuine understanding and earned trust Themes of resistance, surveillance, and what it means to reclaim your own feeling Interwoven narratives that build toward a singular truth Moral complexity; characters who are both complicit and heroic Worlds where emotion itself is political Stories about witness and the revolutionary power of being truly seen


















