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The Equivalents. A Story of Art, Female Friendship, and Liberation in the 1960s
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- Nombre de pages400
- FormatePub
- ISBN978-1-5247-3306-3
- EAN9781524733063
- Date de parution19/05/2020
- Protection num.Adobe DRM
- Taille22 Mo
- Infos supplémentairesepub
- ÉditeurVintage
Résumé
FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARDIn 1960, Harvard's sister college, Radcliffe, announced the founding of an Institute for Independent Study, a "messy experiment" in women's education that offered paid fellowships to those with a PhD or "the equivalent" in artistic achievement. Five of the women who received fellowships-poets Anne Sexton and Maxine Kumin, painter Barbara Swan, sculptor Marianna Pineda, and writer Tillie Olsen-quickly formed deep bonds with one another that would inspire and sustain their most ambitious work.
They called themselves "the Equivalents." Drawing from notebooks, letters, recordings, journals, poetry, and prose, Maggie Doherty weaves a moving narrative of friendship and ambition, art and activism, love and heartbreak, and shows how the institute spoke to the condition of women on the cusp of liberation."Rich and powerful.
They called themselves "the Equivalents." Drawing from notebooks, letters, recordings, journals, poetry, and prose, Maggie Doherty weaves a moving narrative of friendship and ambition, art and activism, love and heartbreak, and shows how the institute spoke to the condition of women on the cusp of liberation."Rich and powerful.
FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARDIn 1960, Harvard's sister college, Radcliffe, announced the founding of an Institute for Independent Study, a "messy experiment" in women's education that offered paid fellowships to those with a PhD or "the equivalent" in artistic achievement. Five of the women who received fellowships-poets Anne Sexton and Maxine Kumin, painter Barbara Swan, sculptor Marianna Pineda, and writer Tillie Olsen-quickly formed deep bonds with one another that would inspire and sustain their most ambitious work.
They called themselves "the Equivalents." Drawing from notebooks, letters, recordings, journals, poetry, and prose, Maggie Doherty weaves a moving narrative of friendship and ambition, art and activism, love and heartbreak, and shows how the institute spoke to the condition of women on the cusp of liberation."Rich and powerful.
They called themselves "the Equivalents." Drawing from notebooks, letters, recordings, journals, poetry, and prose, Maggie Doherty weaves a moving narrative of friendship and ambition, art and activism, love and heartbreak, and shows how the institute spoke to the condition of women on the cusp of liberation."Rich and powerful.
A propos de Maggie Doherty