The Director. Standalone Romance Novels

Par : Paul Haedo
Offrir maintenant
Ou planifier dans votre panier
Disponible dans votre compte client Decitre ou Furet du Nord dès validation de votre commande. Le format ePub est :
  • Compatible avec une lecture sur My Vivlio (smartphone, tablette, ordinateur)
  • Compatible avec une lecture sur liseuses Vivlio
  • Pour les liseuses autres que Vivlio, vous devez utiliser le logiciel Adobe Digital Edition. Non compatible avec la lecture sur les liseuses Kindle, Remarkable et Sony
Logo Vivlio, qui est-ce ?

Notre partenaire de plateforme de lecture numérique où vous retrouverez l'ensemble de vos ebooks gratuitement

Pour en savoir plus sur nos ebooks, consultez notre aide en ligne ici
C'est si simple ! Lisez votre ebook avec l'app Vivlio sur votre tablette, mobile ou ordinateur :
Google PlayApp Store
  • FormatePub
  • ISBN8201049775
  • EAN9798201049775
  • Date de parution27/11/2021
  • Protection num.pas de protection
  • Infos supplémentairesepub
  • ÉditeurJL

Résumé

Emma Hall is an aspiring screenwriter, whose latest screenplay is causing quite the scene in the script hunting world. Francis Callahan, an ambitious movie producer and director who is rising fast in the movie world, gets wind of the screenplay, and immediately schedules to meet Emma in person. Emma is both excited and nervous. Francis after all was her old best friend from high school, and she hasn't spoken to him in years.
While ecstatic that she is finally receiving serious consideration for the job that is her dream, she is afraid that things could get awkward, very fast. Can Emma navigate the potentially problematic encounters and win for herself a movie contract and perhaps something else? Or will she find herself with nothing but disappointment, and continue with the same status quo that she has had for years?
Emma Hall is an aspiring screenwriter, whose latest screenplay is causing quite the scene in the script hunting world. Francis Callahan, an ambitious movie producer and director who is rising fast in the movie world, gets wind of the screenplay, and immediately schedules to meet Emma in person. Emma is both excited and nervous. Francis after all was her old best friend from high school, and she hasn't spoken to him in years.
While ecstatic that she is finally receiving serious consideration for the job that is her dream, she is afraid that things could get awkward, very fast. Can Emma navigate the potentially problematic encounters and win for herself a movie contract and perhaps something else? Or will she find herself with nothing but disappointment, and continue with the same status quo that she has had for years?