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The Autobiography of a Play. Papers on Play-Making, II
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- Nombre de pages25
- FormatePub
- ISBN859-65--4738063-4
- EAN8596547380634
- Date de parution16/09/2022
- Protection num.Digital Watermarking
- Taille262 Ko
- Infos supplémentairesepub
- ÉditeurDIGICAT
Résumé
In "The Autobiography of a Play, " Bronson Howard offers a fascinating exploration of the life cycle of a theatrical work, blending autobiographical narrative with critical analysis. Through a unique blend of personal reflection and meta-theatrical commentary, Howard delves into the nuances of playwriting, from conception to production. His literary style is marked by a conversational tone interspersed with flashes of poetic insight, reflecting the dynamic interplay between creator and creation, and showcasing the interconnectedness of art and experience in the broader context of American theater during the late 19th century.
Bronson Howard, known as one of the pioneers of American drama, utilized his rich background in journalism and theater to inform his writing. His firsthand experiences in the theatrical milieu provide authenticity to the narrative, allowing readers to grasp the trials faced by playwrights in an era transitioning from European influence to a distinctive American voice. As a passionate advocate for the theater, Howard's insights stem from both his successes and challenges, making his reflections particularly poignant.
This book is essential reading for scholars, theater practitioners, and anyone fascinated by the art of playwriting. Howard's compelling narrative not only illuminates the complexities of bringing a play to life but also invites readers to appreciate the intricate dance between the artist and their art, making it a valuable addition to the study of theater history.
Bronson Howard, known as one of the pioneers of American drama, utilized his rich background in journalism and theater to inform his writing. His firsthand experiences in the theatrical milieu provide authenticity to the narrative, allowing readers to grasp the trials faced by playwrights in an era transitioning from European influence to a distinctive American voice. As a passionate advocate for the theater, Howard's insights stem from both his successes and challenges, making his reflections particularly poignant.
This book is essential reading for scholars, theater practitioners, and anyone fascinated by the art of playwriting. Howard's compelling narrative not only illuminates the complexities of bringing a play to life but also invites readers to appreciate the intricate dance between the artist and their art, making it a valuable addition to the study of theater history.
