The Art of Iugling or Legerdemaine. Unveiling the Enchanting Secrets of Legerdemaine
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- Nombre de pages132
- FormatePub
- ISBN4057664168191
- EAN4057664168191
- Date de parution20/11/2019
- Protection num.Digital Watermarking
- Taille406 Ko
- Infos supplémentairesepub
- ÉditeurGOOD PRESS
Résumé
In "The Art of Iugling or Legerdemaine, " Samuel Rid presents a comprehensive exploration of the art of juggling and sleight of hand, bridging the practical with the philosophical. Written in a didactic style, the book combines instruction with anecdotes, making it both an informative manual and an engaging narrative. Rid's work is situated within the rich tradition of English Renaissance literature, reflecting the period's fascination with performance arts and the intersection of magic and morality, where entertainment intertwines with the exploration of deception and truth.
Samuel Rid, a noted figure in 17th-century England, was deeply immersed in the theatrical culture of his time. His vocation as a writer and performer afforded him the opportunity to witness the intricate relationship between illusion and reality, likely influencing his desire to articulate the complexities of sport and spectacle. Rid's intent was not merely to teach but to provoke thought about the implications of performance, underscoring the fine line between skillful artistry and manipulation.
This book is a must-read for anyone interested in the history of performance arts or the cultural narratives surrounding deception. Rid'Äôs insightful commentary invites readers to appreciate the nuanced artistry of juggling and magic, making it an essential addition to the library of performers, historians, and enthusiasts of magic alike.
Samuel Rid, a noted figure in 17th-century England, was deeply immersed in the theatrical culture of his time. His vocation as a writer and performer afforded him the opportunity to witness the intricate relationship between illusion and reality, likely influencing his desire to articulate the complexities of sport and spectacle. Rid's intent was not merely to teach but to provoke thought about the implications of performance, underscoring the fine line between skillful artistry and manipulation.
This book is a must-read for anyone interested in the history of performance arts or the cultural narratives surrounding deception. Rid'Äôs insightful commentary invites readers to appreciate the nuanced artistry of juggling and magic, making it an essential addition to the library of performers, historians, and enthusiasts of magic alike.
In "The Art of Iugling or Legerdemaine, " Samuel Rid presents a comprehensive exploration of the art of juggling and sleight of hand, bridging the practical with the philosophical. Written in a didactic style, the book combines instruction with anecdotes, making it both an informative manual and an engaging narrative. Rid's work is situated within the rich tradition of English Renaissance literature, reflecting the period's fascination with performance arts and the intersection of magic and morality, where entertainment intertwines with the exploration of deception and truth.
Samuel Rid, a noted figure in 17th-century England, was deeply immersed in the theatrical culture of his time. His vocation as a writer and performer afforded him the opportunity to witness the intricate relationship between illusion and reality, likely influencing his desire to articulate the complexities of sport and spectacle. Rid's intent was not merely to teach but to provoke thought about the implications of performance, underscoring the fine line between skillful artistry and manipulation.
This book is a must-read for anyone interested in the history of performance arts or the cultural narratives surrounding deception. Rid'Äôs insightful commentary invites readers to appreciate the nuanced artistry of juggling and magic, making it an essential addition to the library of performers, historians, and enthusiasts of magic alike.
Samuel Rid, a noted figure in 17th-century England, was deeply immersed in the theatrical culture of his time. His vocation as a writer and performer afforded him the opportunity to witness the intricate relationship between illusion and reality, likely influencing his desire to articulate the complexities of sport and spectacle. Rid's intent was not merely to teach but to provoke thought about the implications of performance, underscoring the fine line between skillful artistry and manipulation.
This book is a must-read for anyone interested in the history of performance arts or the cultural narratives surrounding deception. Rid'Äôs insightful commentary invites readers to appreciate the nuanced artistry of juggling and magic, making it an essential addition to the library of performers, historians, and enthusiasts of magic alike.